Title: Etiquette & Espionage
Author: Gail Carriger
Publisher: Hachette Audio, 2013 (print available from Little, Brown Books for Young Readers)
Narrator: Moira Quirk
When Sophronia is told she will be sent off to finishing school, she is not pleased. Not at all. However, after a decidedly odd interview with "Mlle Geraldine," it quickly becomes clear that Madame Geraldine's Finishing Academy for Young Ladies of Quality is not exactly what it appears to be on the surface. As it turns out, the school is not only a place young girls are trained to become ladies, they are also trained to become intelligencers. Classes include etiquette and how to execute a proper curtsy, as well as the use of seduction, stealth, and proper fighting techniques. In addition to all this knew knowledge, Sophronia and her friends do some intelligencing of their own regarding a missing prototype, an older schoolmate who failed to Finish and has been sent to study with the debuts, and other mysterious activity.
This first book in Gail Carriger's new series for teens is just delightful. Fans of her adult series, Soulless, would be well advised to pick this one up as well. Who can resist a fine comedy of manners mixed together with steam technology, the art of espionage, how to manipulate and obtain information, all while still being presentable for afternoon tea or ready to dance a quadrille at a ball? Oh yes, mustn't forget the werewolves and vampires. This book has action and humor in spades.
Sophronia herself is an excellent heroine, and a character I look forward to watching develop over the course of the next books in the series. She's resourceful, intelligent, has a good heart, and does not shy away from getting her hands dirty if necessary. I loved a lot of the secondary characters too, namely the sootie Soap, the young French engineer Vieve (age 9), and the loyal and easily scandalized Dimity (who also, I might add, is the daughter of evil geniuses and describes herself as "a good girl," to their chagrin).
Honestly, I think I like this one more than Soulless, though that might be because I listened to the excellent narration by Moira Quirk. Her accents and inflections completely made this for me, and I would highly recommend that anyone who had trouble getting into this series try the audio. This is one of the 2014 Top Ten Amazing Audiobooks for Young Adults for a reason.
Disclosure: I downloaded this audiobook through my local library and OverDrive.
Showing posts with label historical fiction. Show all posts
Showing posts with label historical fiction. Show all posts
Monday, March 17, 2014
Monday, February 24, 2014
Book review: "Navigating Early" by Clare Vanderpool
Title: Navigating Early
Author: Clare Vanderpool
Publisher: Delacorte Press, 2013
After his mother dies suddenly, Jack Baker is sent to a boy's boarding school in Maine, far from his home in Kansas, his distant father who has just returned from the warfront, and all of his memories of life before. He doesn't feel at home at Morton Hill Academy and tries to fit in with mixed results until he meets Early Auden, "that strangest of boys." It becomes clear that Early's brain works differently than most people's, and this eventually leads both boys on an adventure in the Maine wilderness, up the Appalachian trail in search of something. Whether it's the end of the story of the number pi, the great Appalachian black bear, or something a little less attainable, Jack and Early go and seek it out.
I enjoyed this 2014 Printz Honor title much more than I thought I would. It is a grand adventure, with pretty real danger, a fully human cast of characters (with perhaps the exception of the bear and dear old Bucky the frog), and grief in many forms. I think every character deals with some sort of grief, and each processes it in a different way.
I'm not sure I completely liked the parallel of Early's story of Pi, who is a character with his own tale, and Early and Jack's story. There was just a bit too much suspension of disbelief that these two stories so closely mirrored each other, mostly with the Ancient One part. It just felt off to me. But it's a small quibble, because in the end everything comes together beautifully, with some nice twists and turns in the journey, much like the Appalachian Trail itself.
Take a look at this book if you like a tale within a tale, reading about the Maine wilderness, mystery, quests, or a good old-fashioned adventure story.
Disclaimer: I received a free galley of this book from the publisher... a year ago. Sorry it took so long!
Author: Clare Vanderpool
Publisher: Delacorte Press, 2013
After his mother dies suddenly, Jack Baker is sent to a boy's boarding school in Maine, far from his home in Kansas, his distant father who has just returned from the warfront, and all of his memories of life before. He doesn't feel at home at Morton Hill Academy and tries to fit in with mixed results until he meets Early Auden, "that strangest of boys." It becomes clear that Early's brain works differently than most people's, and this eventually leads both boys on an adventure in the Maine wilderness, up the Appalachian trail in search of something. Whether it's the end of the story of the number pi, the great Appalachian black bear, or something a little less attainable, Jack and Early go and seek it out.
I enjoyed this 2014 Printz Honor title much more than I thought I would. It is a grand adventure, with pretty real danger, a fully human cast of characters (with perhaps the exception of the bear and dear old Bucky the frog), and grief in many forms. I think every character deals with some sort of grief, and each processes it in a different way.
I'm not sure I completely liked the parallel of Early's story of Pi, who is a character with his own tale, and Early and Jack's story. There was just a bit too much suspension of disbelief that these two stories so closely mirrored each other, mostly with the Ancient One part. It just felt off to me. But it's a small quibble, because in the end everything comes together beautifully, with some nice twists and turns in the journey, much like the Appalachian Trail itself.
Take a look at this book if you like a tale within a tale, reading about the Maine wilderness, mystery, quests, or a good old-fashioned adventure story.
Disclaimer: I received a free galley of this book from the publisher... a year ago. Sorry it took so long!
Monday, October 7, 2013
Book review: "Will in Scarlet" by Matthew Cody
Title: Will in Scarlet
Author: Matthew Cody
Publisher: Knopf Books for Young Readers, 2013
Will Shackley has grown up in a life of privilege, the son of a lord and sole heir to his father's household and keep. He spends his free time causing mischief, but must grow up quickly when he is forced to flee the only life he knows for one of uncertainty, danger, and revenge. Luckily, he is captured by a band of outlaws known as the Merry Men, who hope to gain a ransom for the young lad on such a fine horse.
Will, who renames himself Will Scarlet after a childhood nickname, manages to extend his life long enough to convince Much (a girl disguised as a boy), John Little the giant, and Rob, the band's drunk, to join him on a raid of his former home with the promise of a treasure. Of course, things don't go according to neither Will's nor the Merry Men's plan, and life gets even more interesting.
You really have to go into this book not expecting a straight-up Robin Hood retelling. This is much more of an origin story, before Robin was heroic and confident, before Will Scarlet was part of the Merry Men, before the Sheriff of Nottingham was the low and dastardly man we know. It really gives us a different way of looking at the characters, and as an adventure story it's very good, though a bit slow in the beginning. If some of the part about Will in his childhood home (also a castle) were trimmed a bit, I think it would be easier to get into. Yet once the action started I flew through it.
I'm hoping there will be a follow up, since I'd like to hear more about these characters and their history. Plus, we haven't gotten to Friar Tuck just yet, and Maid Marian only has a not-even-really-passing mention. I would recommend this to anyone who likes a good medieval adventure tale with swords and trickery and good-hearted thieves. Knowing the Robin Hood tale is a plus, but if you're a huge fan just keep an open mind and stick with it because it won't be what you expect.
Disclosure: I received this e-galley from Edelweiss as a librarian reviewer. NetGalley rejected my request, boo.
Author: Matthew Cody
Publisher: Knopf Books for Young Readers, 2013
Will Shackley has grown up in a life of privilege, the son of a lord and sole heir to his father's household and keep. He spends his free time causing mischief, but must grow up quickly when he is forced to flee the only life he knows for one of uncertainty, danger, and revenge. Luckily, he is captured by a band of outlaws known as the Merry Men, who hope to gain a ransom for the young lad on such a fine horse.
Will, who renames himself Will Scarlet after a childhood nickname, manages to extend his life long enough to convince Much (a girl disguised as a boy), John Little the giant, and Rob, the band's drunk, to join him on a raid of his former home with the promise of a treasure. Of course, things don't go according to neither Will's nor the Merry Men's plan, and life gets even more interesting.
You really have to go into this book not expecting a straight-up Robin Hood retelling. This is much more of an origin story, before Robin was heroic and confident, before Will Scarlet was part of the Merry Men, before the Sheriff of Nottingham was the low and dastardly man we know. It really gives us a different way of looking at the characters, and as an adventure story it's very good, though a bit slow in the beginning. If some of the part about Will in his childhood home (also a castle) were trimmed a bit, I think it would be easier to get into. Yet once the action started I flew through it.
I'm hoping there will be a follow up, since I'd like to hear more about these characters and their history. Plus, we haven't gotten to Friar Tuck just yet, and Maid Marian only has a not-even-really-passing mention. I would recommend this to anyone who likes a good medieval adventure tale with swords and trickery and good-hearted thieves. Knowing the Robin Hood tale is a plus, but if you're a huge fan just keep an open mind and stick with it because it won't be what you expect.
Disclosure: I received this e-galley from Edelweiss as a librarian reviewer. NetGalley rejected my request, boo.
Labels:
adventure,
folk tale,
historical fiction,
medieval,
middle grade,
retelling
Monday, September 23, 2013
Book review: "If I Ever Get Out of Here" by Eric Gansworth
Title: If I Ever Get Out of Here
Author: Eric Gansworth
Publisher: Arthur A. Levine Books, 2013
If I Ever Get Out of Here opens right before Lewis Blake begins seventh grade. He is used to being one of the only Indian kids in his class at school, but he is tired of the loneliness; despite his attempts to fit in, he still struggles to be noticed and accepted. Then he meets a new kid from the air force base, George, and things start to change a bit.
George is Lewis's new connection to the white world, though he knows he can't invite his new friend to his home (his mother forbids it, as they live in poverty), and that he still has to deal with all kinds of prejudices at school and in town. Set in the late 1970s in upstate New York, Lewis tells his story about life growing up on the Tuscarora Reservation, going to a mostly white school, and trying to balance out two worlds in a place where loyalties are expected on one side or another. This is a book about friendship and acceptance of self and culture, especially when faced with extremely difficult and unfair situations.
I'm guessing that because this is a book about a boy on an Indian reservation who is one of the few non-white people in his class, it's inevitable that it will get comparisons to Sherman Alexie's The Absolutely True Diary of a Part-Time Indian. But that, I think, is selling both works short. Gansworth's novel focuses on racism, injustice, and a semi-forbidden friendship, all wrapped up together with music (mostly Wings, The Beatles, and Queen). Alexie's is not presented as historical fiction and has more humor and tragedy than Gansworth's work. If I Ever Get Out of Here is more middle-school-friendly in terms of language and content, though it is still a bit hard to read emotionally speaking.
As I was reading this, I kept thinking how important it is to see how others are treated because of heritage or class. It might not be as blatant in our country as it was 30 or 40 years ago, but it still exists and it's important to see it through the target's eyes. It's also important if the reader has been a target him- or herself to see someone else in their same situation and how they handle it.
Lewis also has to deal with a pretty brutal bully, and coupled with the way the adults treat him because he is from the reservation, the situation turns from one of physical assault to that of abject hostility from every corner, especially school teachers and administration. The amount of strength and gumption Lewis has just astounds me, to be so brave and demand justice even when it seems so utterly hopeless.
I hope If I Ever Get Out of Here is widely read, though I'm not sure younger readers will stick with it long enough to finish. I hope I'm wrong about that, because there's a lot in here, and it might just have been me having trouble getting through it because of how sad it made me. Still, I'm really glad I read it and bought it for my library. We'll see if I can get a few kids to pick it up!
Disclosure: I received an e-galley from the publisher via NetGalley in exchange for a review.
Author: Eric Gansworth
Publisher: Arthur A. Levine Books, 2013
If I Ever Get Out of Here opens right before Lewis Blake begins seventh grade. He is used to being one of the only Indian kids in his class at school, but he is tired of the loneliness; despite his attempts to fit in, he still struggles to be noticed and accepted. Then he meets a new kid from the air force base, George, and things start to change a bit.
George is Lewis's new connection to the white world, though he knows he can't invite his new friend to his home (his mother forbids it, as they live in poverty), and that he still has to deal with all kinds of prejudices at school and in town. Set in the late 1970s in upstate New York, Lewis tells his story about life growing up on the Tuscarora Reservation, going to a mostly white school, and trying to balance out two worlds in a place where loyalties are expected on one side or another. This is a book about friendship and acceptance of self and culture, especially when faced with extremely difficult and unfair situations.
I'm guessing that because this is a book about a boy on an Indian reservation who is one of the few non-white people in his class, it's inevitable that it will get comparisons to Sherman Alexie's The Absolutely True Diary of a Part-Time Indian. But that, I think, is selling both works short. Gansworth's novel focuses on racism, injustice, and a semi-forbidden friendship, all wrapped up together with music (mostly Wings, The Beatles, and Queen). Alexie's is not presented as historical fiction and has more humor and tragedy than Gansworth's work. If I Ever Get Out of Here is more middle-school-friendly in terms of language and content, though it is still a bit hard to read emotionally speaking.
As I was reading this, I kept thinking how important it is to see how others are treated because of heritage or class. It might not be as blatant in our country as it was 30 or 40 years ago, but it still exists and it's important to see it through the target's eyes. It's also important if the reader has been a target him- or herself to see someone else in their same situation and how they handle it.
Lewis also has to deal with a pretty brutal bully, and coupled with the way the adults treat him because he is from the reservation, the situation turns from one of physical assault to that of abject hostility from every corner, especially school teachers and administration. The amount of strength and gumption Lewis has just astounds me, to be so brave and demand justice even when it seems so utterly hopeless.
I hope If I Ever Get Out of Here is widely read, though I'm not sure younger readers will stick with it long enough to finish. I hope I'm wrong about that, because there's a lot in here, and it might just have been me having trouble getting through it because of how sad it made me. Still, I'm really glad I read it and bought it for my library. We'll see if I can get a few kids to pick it up!
Disclosure: I received an e-galley from the publisher via NetGalley in exchange for a review.
Labels:
bullying,
ethics,
friendship,
historical fiction,
middle grade,
middle school,
multicultural,
music,
Native American
Thursday, February 21, 2013
Book review: 2013 Printz Award Winner "In Darkness" by Nick Lake
Title: In Darkness
Author: Nick Lake
Publisher: Bloomsbury USA Children's, 2012
In this powerful story, we learn how circumstances can shape who a person becomes. This is the story of a teenage gang member stuck under the rubble after the Haiti earthquake in 2010 told in tandem with the story of Toussaint L'Ouvreture, the man that freed Haiti's slaves. Shorty, a 15-year-old gangster in the most dangerous part of Haiti, finds himself trapped beneath tons of rubble after the earthquake of 2010, with nothing but darkness and death surrounding him. He begins to tell us, who he calls the "voices in the darkness," his history. We also read, through third-person narration, the story of the slave Toussaint, who led his people to freedom and their own government.
It is clear why this was the winner of the 2013 Printz Award. The story is compelling, both of them together; Shorty has grown up in terrible poverty, surrounded by gang violence and political unrest. He has seen family members, friends, and neighbors killed, to the point where it is almost normal. And so, he falls in with the gang of his neighborhood, because he believes that way he will get his abducted sister back and get his revenge.
Meanwhile, we're learning how Toussaint was successful in some things, but not in others. It's history, so it's not a spoiler, but we are living the revolution along with him. What really made this fictionalized history stand out was Toussaint's spirit connection with Shorty and the Haiti of 2010. In visions, he sees Haiti through Shorty's eyes, and knows what he dreams is possible, though perhaps not as peaceful as he hopes.
The writing is superb, though it helps if you know a little bit of French or Creole. There is a lot of vernacular throughout Shorty's sections, and you can see what most of it means in the context of how it's used, but it makes for a more challenging reading experience.
What really got me with this title is the characters. It was hard to read about how violent they all are, and the evil acts they all do, but I have to say Lake wrote them in such a way that I understood why they became what they did, and still see their humanity. I could see why Shorty fell in with the Route 9 gangsters. There was one scene I couldn't stop thinking about where Biggie talks to his mother on the phone, and I cried.
If you're up for the challenge of the dark content and the difficult language, this is a book not to be missed.
Disclosure: I got this book from the library.
Author: Nick Lake
Publisher: Bloomsbury USA Children's, 2012
In this powerful story, we learn how circumstances can shape who a person becomes. This is the story of a teenage gang member stuck under the rubble after the Haiti earthquake in 2010 told in tandem with the story of Toussaint L'Ouvreture, the man that freed Haiti's slaves. Shorty, a 15-year-old gangster in the most dangerous part of Haiti, finds himself trapped beneath tons of rubble after the earthquake of 2010, with nothing but darkness and death surrounding him. He begins to tell us, who he calls the "voices in the darkness," his history. We also read, through third-person narration, the story of the slave Toussaint, who led his people to freedom and their own government.
It is clear why this was the winner of the 2013 Printz Award. The story is compelling, both of them together; Shorty has grown up in terrible poverty, surrounded by gang violence and political unrest. He has seen family members, friends, and neighbors killed, to the point where it is almost normal. And so, he falls in with the gang of his neighborhood, because he believes that way he will get his abducted sister back and get his revenge.
Meanwhile, we're learning how Toussaint was successful in some things, but not in others. It's history, so it's not a spoiler, but we are living the revolution along with him. What really made this fictionalized history stand out was Toussaint's spirit connection with Shorty and the Haiti of 2010. In visions, he sees Haiti through Shorty's eyes, and knows what he dreams is possible, though perhaps not as peaceful as he hopes.
The writing is superb, though it helps if you know a little bit of French or Creole. There is a lot of vernacular throughout Shorty's sections, and you can see what most of it means in the context of how it's used, but it makes for a more challenging reading experience.
What really got me with this title is the characters. It was hard to read about how violent they all are, and the evil acts they all do, but I have to say Lake wrote them in such a way that I understood why they became what they did, and still see their humanity. I could see why Shorty fell in with the Route 9 gangsters. There was one scene I couldn't stop thinking about where Biggie talks to his mother on the phone, and I cried.
If you're up for the challenge of the dark content and the difficult language, this is a book not to be missed.
Disclosure: I got this book from the library.
Labels:
award winner,
gang violence,
good for boys,
grief,
historical fiction,
organized crime,
printz award,
twins
Sunday, November 4, 2012
My review of "The Diviners" up on The Broke and the Bookish
Yesterday I posted my review of Libba Bray's The Diviners, a wonderfully creepy and thrilling story about supernatural and occult happenings and murders in NYC during the 1920s. You can check it out here.
Labels:
1920s,
ghost story,
historical fiction,
paranormal,
supernatural,
The Broke and the Bookish,
thriller
Thursday, June 21, 2012
Review: "Chime" by Franny Billingsley
Title: Chime
Author: Franny Billingsley
Publisher: Listening Library, 2011 (print available from Dial Press)
Narrator: Susan Duerden
Briony Larkin is a witch. She has abilities that no one else does, abilities that she must keep secret or risk death by hanging in her small English village, circa 1900. Her stepmother was the one who figured it out, and ever since her death Briony has lived with this knowledge, and the knowledge that she is responsible for her twin sister's mental deficiencies, alone. She must always hate herself or risk the lives of those she cares about the most. This is until Eldric comes, opening her eyes to new adventures and bringing her back to the swamp she loves but must avoid—a swamp filled with Old Ones, elemental beings filled with magic and power. Can Briony learn to control her powers, or will she bring about her doom and the doom of her family and community?
This is not a book for the faint of heart. No light read, this novel is extremely complex, coupled with an unreliable narrator and steeped in folklore. It's beautifully written, and the atmosphere and world Billingsley creates is mysterious and gothic, darkly romantic and dangerous. It's a novel to digest slowly, one you need to take the time to make sure you understand where you and the characters stand.
I loved this novel, one that I would categorize as slipstream. It is historical fiction, yet is infused with elements of the fantastic. Old Ones abound, bringing their ancient magic and enchantment into Briony's community. It's folklore come true.
I loved waiting to see what happened between Eldric and Briony. The book starts with a prologue that makes you think one thing will happen, yet as the story develops I couldn't help wondering if it would end the way I was led to think it would. Throughout the novel we get hints that everything is not as it seems, and Billingsley does a masterful job at slowly revealing the truth.
Susan Duerden was the perfect casting choice as the narrator. She has distinct voices for every character, and those of you who regularly read my reviews might know that that is very important to me. Her accents, the refined British and the cockney, are spot on. I highly recommend the audio version of this book; it's exceptionally well done.
This is a great choice for strong readers, or older readers. The complexity of the narrative might not make it a good choice for someone who struggles with reading or who can't quite follow plot as easily as others. It's a challenge, but one that I believe is well worth it if you are willing to spend the time and effort.
Disclosure: I got this audiobook from the library.
Author: Franny Billingsley
Publisher: Listening Library, 2011 (print available from Dial Press)
Narrator: Susan Duerden
Briony Larkin is a witch. She has abilities that no one else does, abilities that she must keep secret or risk death by hanging in her small English village, circa 1900. Her stepmother was the one who figured it out, and ever since her death Briony has lived with this knowledge, and the knowledge that she is responsible for her twin sister's mental deficiencies, alone. She must always hate herself or risk the lives of those she cares about the most. This is until Eldric comes, opening her eyes to new adventures and bringing her back to the swamp she loves but must avoid—a swamp filled with Old Ones, elemental beings filled with magic and power. Can Briony learn to control her powers, or will she bring about her doom and the doom of her family and community?
This is not a book for the faint of heart. No light read, this novel is extremely complex, coupled with an unreliable narrator and steeped in folklore. It's beautifully written, and the atmosphere and world Billingsley creates is mysterious and gothic, darkly romantic and dangerous. It's a novel to digest slowly, one you need to take the time to make sure you understand where you and the characters stand.
I loved this novel, one that I would categorize as slipstream. It is historical fiction, yet is infused with elements of the fantastic. Old Ones abound, bringing their ancient magic and enchantment into Briony's community. It's folklore come true.
I loved waiting to see what happened between Eldric and Briony. The book starts with a prologue that makes you think one thing will happen, yet as the story develops I couldn't help wondering if it would end the way I was led to think it would. Throughout the novel we get hints that everything is not as it seems, and Billingsley does a masterful job at slowly revealing the truth.
Susan Duerden was the perfect casting choice as the narrator. She has distinct voices for every character, and those of you who regularly read my reviews might know that that is very important to me. Her accents, the refined British and the cockney, are spot on. I highly recommend the audio version of this book; it's exceptionally well done.
This is a great choice for strong readers, or older readers. The complexity of the narrative might not make it a good choice for someone who struggles with reading or who can't quite follow plot as easily as others. It's a challenge, but one that I believe is well worth it if you are willing to spend the time and effort.
Disclosure: I got this audiobook from the library.
Labels:
audiobook,
British,
fantasy,
folk tale,
historical fiction,
magic,
slipstream,
unreliable narrator
Sunday, November 20, 2011
Review: "The Blood Lie" by Shirley Reva Vernick
Title: The Blood Lie
Author: Shirley Reva Vernick
Publisher: Cinco Puntos Press, 2011
It's 1928. Jack Pool is 16 and desperate to move away from his small town of Massena, New York, to attend a prestigious music school in Syracuse. He is an excellent cello player and stands a good chance at his audition in a few days. But all that changes when he is accused of a terrible crime, based solely on lies and his Jewish heritage and religion. Will a town's prejudice ruin the lives of the Jewish community?
I had the pleasure of meeting with Vernick at Barnes & Noble for my teen book club the other night. We talked about how this novel is based on actual events that took place in Massena in the 1920s. What occurs in this book is scary enough, illustrating what happens when mob mentality takes over, but what is really scary is Vernick's afterward. She reports on incidents that have happened very recently; one might think that events like this won't happen in today's day and age, but it's not true. People are susceptible to rumor and will believe what they want to.
This story is very short and simply written, but the ideas within it are not something to be glossed over. The hatred within the pages is frightening enough, but what I found more appalling was the indifference the instigators of the rumor showed toward their victims. They simply capitalized on the prejudice that already existed in the community, basically just lighting the fuse.
Everything is completely realistic, and as Vernick told me, there is no Hollywood ending. It's as close to the real story as she could make it, and the characters realize what horrors lie within our world.
Author: Shirley Reva Vernick
Publisher: Cinco Puntos Press, 2011
It's 1928. Jack Pool is 16 and desperate to move away from his small town of Massena, New York, to attend a prestigious music school in Syracuse. He is an excellent cello player and stands a good chance at his audition in a few days. But all that changes when he is accused of a terrible crime, based solely on lies and his Jewish heritage and religion. Will a town's prejudice ruin the lives of the Jewish community?
I had the pleasure of meeting with Vernick at Barnes & Noble for my teen book club the other night. We talked about how this novel is based on actual events that took place in Massena in the 1920s. What occurs in this book is scary enough, illustrating what happens when mob mentality takes over, but what is really scary is Vernick's afterward. She reports on incidents that have happened very recently; one might think that events like this won't happen in today's day and age, but it's not true. People are susceptible to rumor and will believe what they want to.
This story is very short and simply written, but the ideas within it are not something to be glossed over. The hatred within the pages is frightening enough, but what I found more appalling was the indifference the instigators of the rumor showed toward their victims. They simply capitalized on the prejudice that already existed in the community, basically just lighting the fuse.
Everything is completely realistic, and as Vernick told me, there is no Hollywood ending. It's as close to the real story as she could make it, and the characters realize what horrors lie within our world.
Labels:
American history,
drama,
historical fiction,
multicultural
Friday, October 21, 2011
Review: "The Monstrumologist" by Rick Yancey
Title: The Monstrumologist
Author: Rick Yancey
Publisher: Simon & Schuster BFYR, 2009
This is what you should be reading this October 31st.
The diary of Will Henry chronicles his apprenticeship with the eminent, albeit known only within certain circles, Dr. Pellinore Warthrop, monstrumologist and scholar. Will's tale begins in 1888, when he is 12 years old. Dr. Warthrop has been told, secretly and in the middle of the night, of a strange and horrific creature found during a grave robbing. This monster, which he quickly identifies as an adult male Anthropophagus, is only one of a pod of the enormous, man-eating predators in the New Jerusalem area. Certain questions arise: Why are they in New England, when their natural habitat is in Africa? Why are they so many? And why have they suddenly emerged from hiding to feast on human flesh once again? Warthrop and Will must find out these answers, but they also must end this infestation before it is too late for the people of New Jerusalem.
There is a blurb on the front of this book from VOYA, which calls this novel "A cross between Mary Shelley and Stephen King." I really can't think of a better description. The horror and gore in here is so intense and ever-present, yet philosophy is threaded throughout all of this in Will's musings as he writes down his experiences years later. Morality, loyalty, duty, and inheritance are at the heart of the novel, interspersed with the action and horror.
I love that this is a framed narrative. The book begins with a modern-day author who is given the notebooks found in Will Henry's room after his death—the proprietor of the home he was staying is interested in looking for clues within the writing to the identity of the man who called himself Will and claimed to be 131 years old, born in 1876. The first narrator then shows us this first part of Will's diary, and when he is finished with that, tells us about his often fruitless research about finding more information or ways to corroborate the story within Will's notebooks. This hearkens back to Mary Shelley and Frankenstein, for sure, a nice tip of the hat to early horror literature. It also provides us with a mystery and second storyline to follow in the subsequent books of the series.
The setting of the late 1800s makes this book seem much more like the classics we read in school, giving it an authentic taste of the Gothic that used to be so prevalent. The language is sublime and eloquent, yet still accessible for teens today. Not to mention the often breakneck pace of the story.
This is a perfect book to read around Halloween. Scary and creepy, full of suspense, plenty of blood and guts, and exquisite writing. I'll definitely be getting to The Curse of the Wendigo soon!
Disclosure: I won this book in some giveaway I never remembered entering. Seriously, this and the next book in the series just showed up at my house one day with a note telling me I won them but not what I won them for. Whatever. I'll take it.
Author: Rick Yancey
Publisher: Simon & Schuster BFYR, 2009
This is what you should be reading this October 31st.
The diary of Will Henry chronicles his apprenticeship with the eminent, albeit known only within certain circles, Dr. Pellinore Warthrop, monstrumologist and scholar. Will's tale begins in 1888, when he is 12 years old. Dr. Warthrop has been told, secretly and in the middle of the night, of a strange and horrific creature found during a grave robbing. This monster, which he quickly identifies as an adult male Anthropophagus, is only one of a pod of the enormous, man-eating predators in the New Jerusalem area. Certain questions arise: Why are they in New England, when their natural habitat is in Africa? Why are they so many? And why have they suddenly emerged from hiding to feast on human flesh once again? Warthrop and Will must find out these answers, but they also must end this infestation before it is too late for the people of New Jerusalem.
There is a blurb on the front of this book from VOYA, which calls this novel "A cross between Mary Shelley and Stephen King." I really can't think of a better description. The horror and gore in here is so intense and ever-present, yet philosophy is threaded throughout all of this in Will's musings as he writes down his experiences years later. Morality, loyalty, duty, and inheritance are at the heart of the novel, interspersed with the action and horror.
I love that this is a framed narrative. The book begins with a modern-day author who is given the notebooks found in Will Henry's room after his death—the proprietor of the home he was staying is interested in looking for clues within the writing to the identity of the man who called himself Will and claimed to be 131 years old, born in 1876. The first narrator then shows us this first part of Will's diary, and when he is finished with that, tells us about his often fruitless research about finding more information or ways to corroborate the story within Will's notebooks. This hearkens back to Mary Shelley and Frankenstein, for sure, a nice tip of the hat to early horror literature. It also provides us with a mystery and second storyline to follow in the subsequent books of the series.
The setting of the late 1800s makes this book seem much more like the classics we read in school, giving it an authentic taste of the Gothic that used to be so prevalent. The language is sublime and eloquent, yet still accessible for teens today. Not to mention the often breakneck pace of the story.
This is a perfect book to read around Halloween. Scary and creepy, full of suspense, plenty of blood and guts, and exquisite writing. I'll definitely be getting to The Curse of the Wendigo soon!
Disclosure: I won this book in some giveaway I never remembered entering. Seriously, this and the next book in the series just showed up at my house one day with a note telling me I won them but not what I won them for. Whatever. I'll take it.
Sunday, August 7, 2011
Review: "Saving CeeCee Honeycutt" by Beth Hoffman
Title: Saving CeeCee Honeycutt
Author: Beth Hoffman
Publisher: Pamela Dorman Books, 2010
Cecelia Rose Honeycutt, or CeeCee as her Momma calls her, has been stuck as the caretaker of her psychotic mother whose mind is stuck in her days of being crowned the 1951 Vidalia Onion Queen back in Georgia. Her father is mostly absent, always traveling for "business" and refusing to acknowledge that her mother needs help that he hasn't already gotten for her. But tragedy strikes, and CeeCee finds herself in Savannah, Georgia with her Aunt Tootie, someone she had never known even existed. But in Savannah, she finds a home and a family of women she never even dreamed of in Willoughby, Ohio.
Saving CeeCee Honeycutt is a lovely little novel full of maxims and life philosophy, all from the mouths of wise women in this new world into which CeeCee is thrust. She is so used to being alone, to being an outcast and a laughingstock because of her mother, that she doesn't know what to make of her new home at first. But CeeCee eventually makes friends with the ladies of the neighborhood, including Oletta, the woman who runs Aunt Tootie's household, Miz Goodpepper, her eccentric and exotic next-door neighbor, and of course, Aunt Tootie herself, a warm and welcoming relative that I would love to find out was my long-lost aunt.
This is certainly a character-driven novel. The setting plays an incredibly important role as a character too; Savannah makes its residents who they are, even CeeCee's mother who was stuck up in Ohio and pined for her home down South. The lushness of the setting comes through on nearly every page, opening CeeCee's eyes to the natural world.
CeeCee was okay as a narrator. Hoffman got the dialogue for her right, but something felt just slightly off about her narration. I'm assuming she is telling the story years after the events of the novel, which take place in the late 1960s, but I still felt unsure about where CeeCee was coming from.
Overall this book was enjoyable, but I think I was expecting too much. There was less plot than I expected, which is not necessarily a bad thing, but I sometimes wished more things would happen. I think I was expected something more along the lines of something by Fannie Flagg, who by the way is fantastic and I wholeheartedly recommend Fried Green Tomatoes at the Whistle Stop Cafe. I would also recommend this book if you're looking for something strictly character-driven and you enjoy a Southern setting.
Disclosure: I bought this book at a library book sale.
Author: Beth Hoffman
Publisher: Pamela Dorman Books, 2010
Cecelia Rose Honeycutt, or CeeCee as her Momma calls her, has been stuck as the caretaker of her psychotic mother whose mind is stuck in her days of being crowned the 1951 Vidalia Onion Queen back in Georgia. Her father is mostly absent, always traveling for "business" and refusing to acknowledge that her mother needs help that he hasn't already gotten for her. But tragedy strikes, and CeeCee finds herself in Savannah, Georgia with her Aunt Tootie, someone she had never known even existed. But in Savannah, she finds a home and a family of women she never even dreamed of in Willoughby, Ohio.
Saving CeeCee Honeycutt is a lovely little novel full of maxims and life philosophy, all from the mouths of wise women in this new world into which CeeCee is thrust. She is so used to being alone, to being an outcast and a laughingstock because of her mother, that she doesn't know what to make of her new home at first. But CeeCee eventually makes friends with the ladies of the neighborhood, including Oletta, the woman who runs Aunt Tootie's household, Miz Goodpepper, her eccentric and exotic next-door neighbor, and of course, Aunt Tootie herself, a warm and welcoming relative that I would love to find out was my long-lost aunt.
This is certainly a character-driven novel. The setting plays an incredibly important role as a character too; Savannah makes its residents who they are, even CeeCee's mother who was stuck up in Ohio and pined for her home down South. The lushness of the setting comes through on nearly every page, opening CeeCee's eyes to the natural world.
CeeCee was okay as a narrator. Hoffman got the dialogue for her right, but something felt just slightly off about her narration. I'm assuming she is telling the story years after the events of the novel, which take place in the late 1960s, but I still felt unsure about where CeeCee was coming from.
Overall this book was enjoyable, but I think I was expecting too much. There was less plot than I expected, which is not necessarily a bad thing, but I sometimes wished more things would happen. I think I was expected something more along the lines of something by Fannie Flagg, who by the way is fantastic and I wholeheartedly recommend Fried Green Tomatoes at the Whistle Stop Cafe. I would also recommend this book if you're looking for something strictly character-driven and you enjoy a Southern setting.
Disclosure: I bought this book at a library book sale.
Labels:
adult crossover,
fiction,
historical fiction,
Southern fiction
Thursday, July 7, 2011
Review: "Elijah of Buxton" by Christopher Paul Curtis
Title: Elijah of Buxton
Author: Christopher Paul Curtis
Publisher: Listening Library, 2008 (print from Scholastic, 2007)
Narrator: Mirron Willis
Elijah was born free in Canada, in a settlement called Buxton. His parents escaped slavery in America, making it to the security and relatively happy life—and Elijah was the first baby to be born in this new country, away from the shackles America would have placed on him and his family. But life isn't perfect for the people of this community. Many still have family members who didn't make it to Canada, others have lost family to death, and most still bear the scars, both physical and psychological, of slavery.
Elijah lives in relative peace and security because of his ignorance of the way it is in America, but when one of his neighbors is robbed of the money he was going to use to free his family, Elijah makes a dangerous journey down south, past the Canadian border. He sees horrors he hopes to never see again, if only he can make it back home.
I first read Christopher Paul Curtis last summer for my children's literature class, and I've been meaning to read more of his work ever since. His books, though they have roots in racism and slavery in America, also tell incredibly engaging stories full of humor. In this Newbery Honor–winning book, also the recipient of the Coretta Scott King Book Award, Curtis does an incredible balancing act, pacing the drama and danger with the more lighthearted parts of the story, and does not shy away from the horror to which slaves were subjected. Elijah of Buxton is a funny and alternately searing account of life during the mid-1800s for black people in both America and Canada. Vile characters interact with good-hearted ones, and men with good intentions make bad decisions. I couldn't often couldn't stop listening, even after I had reached my destination in my car.
Curtis also includes an excellent author's note at the end, giving a brief history of Buxton and what in his novel was real and what he fictionalized (which should always be included in a work of historical fiction). As a bonus, Curtis reads this himself in the audio.
Mirron Willis's narration was perfect. He read the dialect with authenticity and just the right amount of emotion, portraying Elijah's confusion, naivete and conviction with all the charm Curtis gives Elijah. I fell in love with Elijah through Willis's voice and excellent portrayal.
If you're looking for a way to while away the hours of your morning and/or evening commute or on a long road trip (especially with kids who have the patience to listen to audiobooks), I highly recommend this one to keep you company.
Disclosure: I got this from my local library.
Author: Christopher Paul Curtis
Publisher: Listening Library, 2008 (print from Scholastic, 2007)
Narrator: Mirron Willis
Elijah was born free in Canada, in a settlement called Buxton. His parents escaped slavery in America, making it to the security and relatively happy life—and Elijah was the first baby to be born in this new country, away from the shackles America would have placed on him and his family. But life isn't perfect for the people of this community. Many still have family members who didn't make it to Canada, others have lost family to death, and most still bear the scars, both physical and psychological, of slavery.
Elijah lives in relative peace and security because of his ignorance of the way it is in America, but when one of his neighbors is robbed of the money he was going to use to free his family, Elijah makes a dangerous journey down south, past the Canadian border. He sees horrors he hopes to never see again, if only he can make it back home.
I first read Christopher Paul Curtis last summer for my children's literature class, and I've been meaning to read more of his work ever since. His books, though they have roots in racism and slavery in America, also tell incredibly engaging stories full of humor. In this Newbery Honor–winning book, also the recipient of the Coretta Scott King Book Award, Curtis does an incredible balancing act, pacing the drama and danger with the more lighthearted parts of the story, and does not shy away from the horror to which slaves were subjected. Elijah of Buxton is a funny and alternately searing account of life during the mid-1800s for black people in both America and Canada. Vile characters interact with good-hearted ones, and men with good intentions make bad decisions. I couldn't often couldn't stop listening, even after I had reached my destination in my car.
Curtis also includes an excellent author's note at the end, giving a brief history of Buxton and what in his novel was real and what he fictionalized (which should always be included in a work of historical fiction). As a bonus, Curtis reads this himself in the audio.
Mirron Willis's narration was perfect. He read the dialect with authenticity and just the right amount of emotion, portraying Elijah's confusion, naivete and conviction with all the charm Curtis gives Elijah. I fell in love with Elijah through Willis's voice and excellent portrayal.
If you're looking for a way to while away the hours of your morning and/or evening commute or on a long road trip (especially with kids who have the patience to listen to audiobooks), I highly recommend this one to keep you company.
Disclosure: I got this from my local library.
Labels:
audiobook,
award winner,
good for boys,
historical fiction,
humor,
young reader
Monday, June 27, 2011
Blog Tour: "War and Watermelon" by Rich Wallace
Thanks for joining me today at Tahleen's Mixed-Up Files for the blog tour of Rich Wallace's War and Watermelon!
Title: War and Watermelon
Author: Rich Wallace
Publisher: Viking Juvenile, 2011
It's the tail end of the summer of 1969, right after the moon landing and before Woodstock, during the Vietnam War and while the Mets started getting hot on their way to the World Series. Twelve-year-old Brody is growing up in New Jersey at this time, anticipating the jump from elementary school to junior high, playing on the football team, and trying to figure out girls—while also trying to come to terms with the bigger issues of the time. Joining his older brother Ryan at Woodstock starts him thinking about peace, love and rock and roll, and how his brother might not always be there—especially once he turns 18.
I enjoyed this story. I mean, once Woodstock was mentioned, I was all over it—I have this great fascination with that insane and incredible concert (I own one of the two CD sets of the concert's recording). There were a lot of music references, including periodic top tens listed by Brody, and very brief descriptions of Joan Baez during Brody's experience at Woodstock.
The setting is so important in this book. We see not only New Jersey during 1969, but also the attitudes of the time—racism is slipped into the dialogue like a whisper, and opinions about the Vietnam War are often vocalized by Brody's father in response to Ryan.
I did have a few minor quibbles with this book. I loved all the music references because of my love for the music of the time, but I wish there was some sort of appendix or something in the back with a little bit of info on all the musicians mentioned. A lot of kids probably won't know who Joan Baez is, or what the songs mentioned sound like (I know I didn't recognize all of them and was too lazy to look them up at the time). I also got pretty bored with the long descriptions of Brody's football games; they seemed unnecessary. I did, however, like the football game in which Brody's female classmate played touch football and did a nice job at beating the other team.
This book would make a really nice companion to a school unit about America in the late '60s. There are themes that are for more mature audiences (there are a lot of references to marijuana and partial nudity), but the language is simple and easy to understand. It's a great way to give younger teens a look at what life was probably like for their parents. I'd recommend it to lovers of the '60s, music lovers, or sports fans looking for a good read.
Title: War and Watermelon
Author: Rich Wallace
Publisher: Viking Juvenile, 2011
It's the tail end of the summer of 1969, right after the moon landing and before Woodstock, during the Vietnam War and while the Mets started getting hot on their way to the World Series. Twelve-year-old Brody is growing up in New Jersey at this time, anticipating the jump from elementary school to junior high, playing on the football team, and trying to figure out girls—while also trying to come to terms with the bigger issues of the time. Joining his older brother Ryan at Woodstock starts him thinking about peace, love and rock and roll, and how his brother might not always be there—especially once he turns 18.
I enjoyed this story. I mean, once Woodstock was mentioned, I was all over it—I have this great fascination with that insane and incredible concert (I own one of the two CD sets of the concert's recording). There were a lot of music references, including periodic top tens listed by Brody, and very brief descriptions of Joan Baez during Brody's experience at Woodstock.
The setting is so important in this book. We see not only New Jersey during 1969, but also the attitudes of the time—racism is slipped into the dialogue like a whisper, and opinions about the Vietnam War are often vocalized by Brody's father in response to Ryan.
I did have a few minor quibbles with this book. I loved all the music references because of my love for the music of the time, but I wish there was some sort of appendix or something in the back with a little bit of info on all the musicians mentioned. A lot of kids probably won't know who Joan Baez is, or what the songs mentioned sound like (I know I didn't recognize all of them and was too lazy to look them up at the time). I also got pretty bored with the long descriptions of Brody's football games; they seemed unnecessary. I did, however, like the football game in which Brody's female classmate played touch football and did a nice job at beating the other team.
This book would make a really nice companion to a school unit about America in the late '60s. There are themes that are for more mature audiences (there are a lot of references to marijuana and partial nudity), but the language is simple and easy to understand. It's a great way to give younger teens a look at what life was probably like for their parents. I'd recommend it to lovers of the '60s, music lovers, or sports fans looking for a good read.
Labels:
American history,
blog tour,
historical fiction,
music,
sports
Saturday, June 4, 2011
Review: "The Time-Traveling Fashionista" by Bianca Turetsky
Title: The Time-Traveling Fashionista
Author: Bianca Turetsky
Publisher: Little, Brown and Company; 2011
Twelve-year-old Louise is ready for a change. She is bored of the way she looks, the food her mom cooks (doused in vinegar, always), and the plain old boring life she leads. It's a good thing the school dance is coming up to give her something to look forward to, and to shop for. You see, Louise loves vintage clothing—the feel of the fabric, the style, the stories each garment holds. So when she gets an invitation to the Traveling Fashionista Vintage Sale, she figures this is the perfect place to find The Dress of her dreams. And she's right. But she has no idea just how far she will "travel" once she puts it on.
Basically, this is a simply written but engaging story of a girl who is sent back in time to 1912 into the body of another woman, who just so happens to be on board a glamourous ship going from England to America. Guess which one. It's full of fashion and descriptions of high living, from the perspective of a 12-year-old girl from 2011.
The writing is, again, simple, especially for something labeled "teen." I would categorize this more as a middle-grade novel, though it masquerades as teen. This isn't necessarily a bad thing either. It actually worked pretty well for one of my Girl Scouts who is less confident as a reader, and whose teacher would only look at reading level when she judged its appropriateness.
By far my favorite aspect of this book was the artwork. Beautiful illustrations by Sandra Suy are scattered throughout the book, showcasing the fashion designs Turetsky describes. It really brings the story to life, and I relished each piece of art.
All in all, this was a fun historical fiction with a contemporary character thrown out of her world and into one she (mostly) wished she could live in. Real people are characters in the novel, so we even learn a bit about the people aboard the great ship. (By the way, I did find myself tearing up toward the end; I got attached to some of these characters, even if they were only minor.) If you are looking for a quick read and you love fashion and color, by all means go find copy of this book. If you're looking for something with a bit more depth, you might want to consider another historical fiction novel.
Disclosure: I received a copy of this book for review from the publisher.
Author: Bianca Turetsky
Publisher: Little, Brown and Company; 2011
Twelve-year-old Louise is ready for a change. She is bored of the way she looks, the food her mom cooks (doused in vinegar, always), and the plain old boring life she leads. It's a good thing the school dance is coming up to give her something to look forward to, and to shop for. You see, Louise loves vintage clothing—the feel of the fabric, the style, the stories each garment holds. So when she gets an invitation to the Traveling Fashionista Vintage Sale, she figures this is the perfect place to find The Dress of her dreams. And she's right. But she has no idea just how far she will "travel" once she puts it on.
Basically, this is a simply written but engaging story of a girl who is sent back in time to 1912 into the body of another woman, who just so happens to be on board a glamourous ship going from England to America. Guess which one. It's full of fashion and descriptions of high living, from the perspective of a 12-year-old girl from 2011.
The writing is, again, simple, especially for something labeled "teen." I would categorize this more as a middle-grade novel, though it masquerades as teen. This isn't necessarily a bad thing either. It actually worked pretty well for one of my Girl Scouts who is less confident as a reader, and whose teacher would only look at reading level when she judged its appropriateness.
By far my favorite aspect of this book was the artwork. Beautiful illustrations by Sandra Suy are scattered throughout the book, showcasing the fashion designs Turetsky describes. It really brings the story to life, and I relished each piece of art.
All in all, this was a fun historical fiction with a contemporary character thrown out of her world and into one she (mostly) wished she could live in. Real people are characters in the novel, so we even learn a bit about the people aboard the great ship. (By the way, I did find myself tearing up toward the end; I got attached to some of these characters, even if they were only minor.) If you are looking for a quick read and you love fashion and color, by all means go find copy of this book. If you're looking for something with a bit more depth, you might want to consider another historical fiction novel.
Disclosure: I received a copy of this book for review from the publisher.
Labels:
fashion,
historical fiction,
middle school,
time travel
Wednesday, April 27, 2011
Audiobook Review: "Revolution" by Jennifer Donnelly
Title: Revolution
Author: Jennifer Donnelly
Publisher: Listening Library, 2010 (print version available from Delacourte Books for Young Readers)
Narrators: Emily Janice Card (Andi) and Emma Bering (Alex)
Andi is spiraling down. It's been two years since the death of her brother, which she blames on herself, and her mother is slowly losing her mind. Andi is constantly fantasizing about her own death, imagining the one step she could take to end all the pain. She tries to use her music to forget, but she can't play her guitar forever, try as she might. She doesn't even want to attempt to graduate. But her father, who is more concerned with her going to a good school (not for music) than with her as a person, drags her along to Paris with him when he goes for work.
Though sullen at first, Andi eventually finds the diary of a girl named Alexandrine Paradis, who wrote during the thick of the French Revolution and took constant risks for the benefit of one small boy locked away in a tower. Told as a story within a story, we see Andi's trials in modern-day Paris and those of Alex, and how they weave together against all odds.
So, first things first. I listened to this on CD, so my experience is probably very different from that of the person who just read the book. I was instantly put off by Andi's voice and Emily Janice Card's narration; Andi seemed over-the-top angsty, even for someone as grief-stricken as she is. I was annoyed, frankly, which sounds cold, but it's true. I was also distracted by Card's English accent when she narrated for Nick, a minor character in the beginning. This was all I could think of (skip to 2:30). That said, Card did have some wonderfully performed sections, most notably when Andi is in the deepest part of her grief and it starts to consume her.
However, once I got over that, I started to really like the story and how the two girls' lives fit together. There is so much history in here, so much I never learned about the French Revolution. Oh yeah, and about music. There is a lot of music in here, as Andi is very serious about it. I do wish there had been a note in the audio somewhere (not sure if there was one in the actual book) about how the composer (Malerbeaux? No idea how to spell it since I only heard it) is fictional. I found that out later in a Publisher's Weekly review.
My favorite parts were Alex's. Bering does an excellent job at her narration, even if I thought she sounded a bit too old at first. Her accent adds much to the performance (she's French, so I'm assuming it's real), and her characterizations are distinct and incredibly fitting for each person to whom she gives a voice.
And let's talk about Virgil for a moment. He is just awesome. So cool, and so incredibly intelligent about music and life. Plus he's the only person who could penetrate Andi and get to the heart of her. I must admit, Card's French accent is excellent as well, and she puts it to good use with Virgil (pronounced "Veer-zheel" in the recording) and the other French characters.
At times the narration seemed to drag a bit, and I felt like the book could have been shorter—I wouldn't have minded one less CD. But I enjoyed listening to this for the most part, aside from the gripes I mentioned above. If you don't think you have the time to sit down and actually read this, it would be worth getting the audio version and listening to it on your commute (or wherever else you listen to audiobooks).
Disclosure: I got this audiobook on CD from my local library.
Author: Jennifer Donnelly
Publisher: Listening Library, 2010 (print version available from Delacourte Books for Young Readers)
Narrators: Emily Janice Card (Andi) and Emma Bering (Alex)
Andi is spiraling down. It's been two years since the death of her brother, which she blames on herself, and her mother is slowly losing her mind. Andi is constantly fantasizing about her own death, imagining the one step she could take to end all the pain. She tries to use her music to forget, but she can't play her guitar forever, try as she might. She doesn't even want to attempt to graduate. But her father, who is more concerned with her going to a good school (not for music) than with her as a person, drags her along to Paris with him when he goes for work.
Though sullen at first, Andi eventually finds the diary of a girl named Alexandrine Paradis, who wrote during the thick of the French Revolution and took constant risks for the benefit of one small boy locked away in a tower. Told as a story within a story, we see Andi's trials in modern-day Paris and those of Alex, and how they weave together against all odds.
So, first things first. I listened to this on CD, so my experience is probably very different from that of the person who just read the book. I was instantly put off by Andi's voice and Emily Janice Card's narration; Andi seemed over-the-top angsty, even for someone as grief-stricken as she is. I was annoyed, frankly, which sounds cold, but it's true. I was also distracted by Card's English accent when she narrated for Nick, a minor character in the beginning. This was all I could think of (skip to 2:30). That said, Card did have some wonderfully performed sections, most notably when Andi is in the deepest part of her grief and it starts to consume her.
However, once I got over that, I started to really like the story and how the two girls' lives fit together. There is so much history in here, so much I never learned about the French Revolution. Oh yeah, and about music. There is a lot of music in here, as Andi is very serious about it. I do wish there had been a note in the audio somewhere (not sure if there was one in the actual book) about how the composer (Malerbeaux? No idea how to spell it since I only heard it) is fictional. I found that out later in a Publisher's Weekly review.
My favorite parts were Alex's. Bering does an excellent job at her narration, even if I thought she sounded a bit too old at first. Her accent adds much to the performance (she's French, so I'm assuming it's real), and her characterizations are distinct and incredibly fitting for each person to whom she gives a voice.
And let's talk about Virgil for a moment. He is just awesome. So cool, and so incredibly intelligent about music and life. Plus he's the only person who could penetrate Andi and get to the heart of her. I must admit, Card's French accent is excellent as well, and she puts it to good use with Virgil (pronounced "Veer-zheel" in the recording) and the other French characters.
At times the narration seemed to drag a bit, and I felt like the book could have been shorter—I wouldn't have minded one less CD. But I enjoyed listening to this for the most part, aside from the gripes I mentioned above. If you don't think you have the time to sit down and actually read this, it would be worth getting the audio version and listening to it on your commute (or wherever else you listen to audiobooks).
Disclosure: I got this audiobook on CD from my local library.
Wednesday, March 9, 2011
Review: "One Crazy Summer" by Rita Williams-Garcia
Title: One Crazy Summer
Author: Rita Williams-Garcia
Publisher: Amistad, 2010
Delphine and her two younger sisters, Vonetta and Fern, are off to Oakland, CA to spend the summer with their mother, Cecile. But this is no happy reunion, and Oakland is not all sunshine and Disneyland. Cecile wants next to nothing to do with her daughters, having walked out on them 7 years earlier. Plus, it's 1968, and the Black Panthers are working hard in this poor community to gain rights and spread the word.
Cecile, or Sister Nzila, is involved, albeit grudgingly, in the cause. Throughout the four weeks they spend in Oakland, Delphine and her sisters get mixed up in one thing after another, attending the Black Panthers day camp and learning about the revolution and its people.
Winner of the Coretta Scott King Award and the recipient of a Newbery Honor, this middle grade novel certainly deserves them. Narrated by 11-year-old Delphine, the writing is sharp and to the point. Delphine doesn't dance around issues (unless it comes to her own feelings about certain things). The writing is excellent, with language perfect for older elementary students and middle schoolers. I was pulled right into the story, could feel the tension between Cecile and her daughters, the unspoken words that Delphine was just dying to say yet too afraid to let out.
I loved how all of the characters were so fully realized. Cecile in particular struck me as particularly complex and layered. It's clear she never really wanted to be a mother, at least not in the traditional sense. She doesn't take care of her children as a mother is expected to, and many would say she is a bad mother. But she knows what she's fighting for, and will not back down in the face of oppression. She's passionate about her poetry; Delphine calls it praying, as Cecile bends over her work. Cecile is an incredibly strong and independent woman, admirable at least for that, even though she proves herself to be very flawed in other regards.
And how many books for younger readers are there about the Black Panthers? I learned a lot from this book about that part of American history; not much of it was covered during my formal education besides a few mentions in AP U.S. Names are mentioned and a bit of their histories are thrown in, and interested readers are given just enough to find more information through their own research. (This would be a great companion to a school unit about the Civil Rights Movement.)
Williams-Garcia writes this in her acknowledgments: "I wanted to write this story for those children who witnessed and were part of necessary change. Yes. There were children" (p 217). I will not forget anytime soon that children were involved in this revolution, thanks to Delphine and One Crazy Summer.
Disclosure: I checked out this book from my library.
Author: Rita Williams-Garcia
Publisher: Amistad, 2010
Delphine and her two younger sisters, Vonetta and Fern, are off to Oakland, CA to spend the summer with their mother, Cecile. But this is no happy reunion, and Oakland is not all sunshine and Disneyland. Cecile wants next to nothing to do with her daughters, having walked out on them 7 years earlier. Plus, it's 1968, and the Black Panthers are working hard in this poor community to gain rights and spread the word.
Cecile, or Sister Nzila, is involved, albeit grudgingly, in the cause. Throughout the four weeks they spend in Oakland, Delphine and her sisters get mixed up in one thing after another, attending the Black Panthers day camp and learning about the revolution and its people.
Winner of the Coretta Scott King Award and the recipient of a Newbery Honor, this middle grade novel certainly deserves them. Narrated by 11-year-old Delphine, the writing is sharp and to the point. Delphine doesn't dance around issues (unless it comes to her own feelings about certain things). The writing is excellent, with language perfect for older elementary students and middle schoolers. I was pulled right into the story, could feel the tension between Cecile and her daughters, the unspoken words that Delphine was just dying to say yet too afraid to let out.
I loved how all of the characters were so fully realized. Cecile in particular struck me as particularly complex and layered. It's clear she never really wanted to be a mother, at least not in the traditional sense. She doesn't take care of her children as a mother is expected to, and many would say she is a bad mother. But she knows what she's fighting for, and will not back down in the face of oppression. She's passionate about her poetry; Delphine calls it praying, as Cecile bends over her work. Cecile is an incredibly strong and independent woman, admirable at least for that, even though she proves herself to be very flawed in other regards.
And how many books for younger readers are there about the Black Panthers? I learned a lot from this book about that part of American history; not much of it was covered during my formal education besides a few mentions in AP U.S. Names are mentioned and a bit of their histories are thrown in, and interested readers are given just enough to find more information through their own research. (This would be a great companion to a school unit about the Civil Rights Movement.)
Williams-Garcia writes this in her acknowledgments: "I wanted to write this story for those children who witnessed and were part of necessary change. Yes. There were children" (p 217). I will not forget anytime soon that children were involved in this revolution, thanks to Delphine and One Crazy Summer.
Disclosure: I checked out this book from my library.
Tuesday, February 8, 2011
Review: "The Red Umbrella" by Christina Diaz Gonzalez
Title: The Red Umbrella
Author: Christina Diaz Gonzalez
Publisher: Knopf Books for Young Readers, 2010
*Note: I apologize for the lack of accent marks in this review. I am computer incompetent sometimes and couldn't figure out how to do it!*
Lucia Alvarez is your typical teenage girl. She loves fashion, is excited to start wearing makeup, dreams over her crush. But she is not a modern teen in America—she lives in Cuba in 1961, the beginning of Castro's revolution. She notices things in her safe community of Puerto Mijares start to change: people are disappearing, losing jobs, and joining brigades supporting the revolution. Even her best friend starts to support it and forget about the things that once meant something to her.
At first Lucia thinks this is all for the best, a good thing. The revolution will make life better and more equal for everyone, or so she is told. But when she begins to see trusted members of her community being taken away and her own home life is drastically changed, she's not so sure. Finally her parents make an incredibly difficult decision: to send her and her little brother, Frankie, to the United States. Alone.
Christina Diaz Gonzalez tells the story of a young teen who goes through complete upheaval, taken away from everything she knows, including her language and family, and is plopped down in a completely foreign environment. What makes this story so incredible is that it's not an isolated incident. In an author's note, Gonzalez tells us about what later became known as Operation Pedro Pan, the largest exodus of unaccompanied children into the United States ever. I had never heard of this before I had the good fortune of hearing Gonzalez speak at the Boston Book Festival back in October and was immediately intrigued.
The story is one of heartache and change, of coming of age in a land not your own and being forced to grow up a little sooner than expected. Lucia witnesses horrific things in the place she's lived her whole life, and not too long after finds out she is leaving her homeland the day before her plane is due to leave—everything happens so quickly that she has trouble processing it all.
The story is told in such a way that it is hard to set it down for a break. I always wanted to find out what was going to happen to Lucia and Frankie; how they were going to adjust to everything, whether or not they would ever be reunited with their parents, what was happening to their friends and family in Cuba.
Lucia is easy to relate to for girls, as she deals with typical teenage problems like wardrobe choices, high school friends and enemies, and changing relationships. Her voice is authentic and easy to listen to (and by listen to I mean read).
I loved all of the adults in the book, too. Her parents are parents—they worry about their children and wants what's best for them. Lucia's mother nags her to do what's right, even on a long-distance phone call from Cuba (don't wear makeup, don't date, dress appropriately, don't act like those American teenagers in the movies!). Her father always tries to make the best of things and bring humor into their lives when others might see none. And their foster parents are fantastic, too. Mrs. Baxter is a motormouth and a very motherly woman, who isn't quite sure about Cuban culture, mixing it up with Mexican on one occasion, but who will do her very best to help the Alvarez children and love them like her own. Mr. Baxter is much more quiet and sparing with his affection; Lucia doesn't believe he even likes the two of them, despite Mrs. Baxter's affirmation of the contrary. Eventually we see his hard exterior break down bit by bit. I cared about all of them, and for me that is one of the most crucial things in reading a book.
The only thing I would say is that it might help to know a bit about the history of all this before beginning the story. The author's note is essential for those who know nothing, and I might even suggest reading it before the rest of the book. I was lucky enough to know about it beforehand and I think it aided in my reading of the book. That said, each chapter begins with a real headline from a newspaper in the United States about the Cuban revolution and Castro's rise to power, providing valuable background and insight for the reader. The headlines progress along with the story chronologically.
A fantastic introduction for a little-addressed yet important part of American and Cuban history, this story provides historical knowledge in the form of a page-turning novel from the perspective of a young teen trying to make sense of what her world has become.
Also, I just want to say how much I love this cover art. The images of the two places with the umbrella in the middle and the map in the background? Fantastic.
Disclosure: I purchased this book for review (and got it signed!).
Author: Christina Diaz Gonzalez
Publisher: Knopf Books for Young Readers, 2010
*Note: I apologize for the lack of accent marks in this review. I am computer incompetent sometimes and couldn't figure out how to do it!*
Lucia Alvarez is your typical teenage girl. She loves fashion, is excited to start wearing makeup, dreams over her crush. But she is not a modern teen in America—she lives in Cuba in 1961, the beginning of Castro's revolution. She notices things in her safe community of Puerto Mijares start to change: people are disappearing, losing jobs, and joining brigades supporting the revolution. Even her best friend starts to support it and forget about the things that once meant something to her.
At first Lucia thinks this is all for the best, a good thing. The revolution will make life better and more equal for everyone, or so she is told. But when she begins to see trusted members of her community being taken away and her own home life is drastically changed, she's not so sure. Finally her parents make an incredibly difficult decision: to send her and her little brother, Frankie, to the United States. Alone.
Christina Diaz Gonzalez tells the story of a young teen who goes through complete upheaval, taken away from everything she knows, including her language and family, and is plopped down in a completely foreign environment. What makes this story so incredible is that it's not an isolated incident. In an author's note, Gonzalez tells us about what later became known as Operation Pedro Pan, the largest exodus of unaccompanied children into the United States ever. I had never heard of this before I had the good fortune of hearing Gonzalez speak at the Boston Book Festival back in October and was immediately intrigued.
The story is one of heartache and change, of coming of age in a land not your own and being forced to grow up a little sooner than expected. Lucia witnesses horrific things in the place she's lived her whole life, and not too long after finds out she is leaving her homeland the day before her plane is due to leave—everything happens so quickly that she has trouble processing it all.
The story is told in such a way that it is hard to set it down for a break. I always wanted to find out what was going to happen to Lucia and Frankie; how they were going to adjust to everything, whether or not they would ever be reunited with their parents, what was happening to their friends and family in Cuba.
Lucia is easy to relate to for girls, as she deals with typical teenage problems like wardrobe choices, high school friends and enemies, and changing relationships. Her voice is authentic and easy to listen to (and by listen to I mean read).
I loved all of the adults in the book, too. Her parents are parents—they worry about their children and wants what's best for them. Lucia's mother nags her to do what's right, even on a long-distance phone call from Cuba (don't wear makeup, don't date, dress appropriately, don't act like those American teenagers in the movies!). Her father always tries to make the best of things and bring humor into their lives when others might see none. And their foster parents are fantastic, too. Mrs. Baxter is a motormouth and a very motherly woman, who isn't quite sure about Cuban culture, mixing it up with Mexican on one occasion, but who will do her very best to help the Alvarez children and love them like her own. Mr. Baxter is much more quiet and sparing with his affection; Lucia doesn't believe he even likes the two of them, despite Mrs. Baxter's affirmation of the contrary. Eventually we see his hard exterior break down bit by bit. I cared about all of them, and for me that is one of the most crucial things in reading a book.
The only thing I would say is that it might help to know a bit about the history of all this before beginning the story. The author's note is essential for those who know nothing, and I might even suggest reading it before the rest of the book. I was lucky enough to know about it beforehand and I think it aided in my reading of the book. That said, each chapter begins with a real headline from a newspaper in the United States about the Cuban revolution and Castro's rise to power, providing valuable background and insight for the reader. The headlines progress along with the story chronologically.
A fantastic introduction for a little-addressed yet important part of American and Cuban history, this story provides historical knowledge in the form of a page-turning novel from the perspective of a young teen trying to make sense of what her world has become.
Also, I just want to say how much I love this cover art. The images of the two places with the umbrella in the middle and the map in the background? Fantastic.
Disclosure: I purchased this book for review (and got it signed!).
Thursday, January 27, 2011
Review: "The Liberation of Gabriel King" by K.L. Going
Title: The Liberation of Gabriel King
Author: K.L. Going
Publisher: G.P. Putnam's Sons, 2005
Where I got it: Saw it at the library and borrowed it.
Fear can encompass many different things. A person can be scared of spiders, swinging off the rope swing into the lake, or of bullies. They can even be afraid of the fifth grade. Gabriel King is afraid of all of these things, but if his best friend Frita makes it her mission to help "liberate" Gabe and beat his fears. The summer of 1976 will be the summer Gabe becomes brave, and he has Frita to help him—she's not afraid of much of anything. But as the two friends work through Gabe's list of fears, Gabe realizes she is afraid of some things and needs to work on her own list—but it will take an awful lot of courage to confront the things Frita fears the most.
It's good to read a story set after the Civil Rights Movement in the 1960s that deals with racism in the South. There aren't a lot of stories that I've come across in my reading that deal with the post-Jim Crow South, but this late elementary/early middle grade book is one of them. Frita is a black girl living in Georgia, and she has been "integrated" into the white school in Hollowell, where she met Gabe. She is a firecracker, always willing to go on adventures and often having to drag Gabe with her. Despite their remarkable differences from each other, the two are incredibly loyal to each other and the best of friends.
Though most of the book focused on fear and overcoming it, there is a bit of history included within the scant 151 pages of the novel. Readers learn about Jimmy Carter before he became president; I had no idea he was a peanut farmer before he made it to the White House, and I certainly had no idea about his stand against white supremacy. We also take a look at the treatment of African Americans during and after the Civil Rights Movement, though not in great detail.
I also thought it was great that Going did not shy away from using the n-word. It was especially relevant for me to read this right after the whole Mark Twain "let's censor the language because it's offensive to modern readers" thing. The use of that word certainly made an impact on me, not to mention it made the narrative all the more believable. There are some very serious issues that Frita and Gabe have to grapple with, and it forces us as readers to think critically about the situations. And yet, Going still managed to include a good deal of humor and playfulness within the two friends' fear-busting exploits.
There were a few flaws I noticed that detracted from the book for me. Though I thought it was sweet how Gabe didn't really see why Frita's skin color mattered to so many people, I found it difficult to believe that he had never come across racism before, especially having a best friend who would most likely be often on the receiving end of it. He seemed genuinely confused about why white people would treat black people differently, and didn't seem to understand why Frita would be targeted in their community. And his frequent realizations vocalized as "Huh. I'd never thought of it like that" or something similar sounded forced and trite to me—it got irritating.
Though it had its drawbacks, I still liked this story of doing the right thing and gathering courage, even if it means facing your worst fears. The two friends might not have crossed every single thing off their lists, but they certainly learn what it means to be brave.
Author: K.L. Going
Publisher: G.P. Putnam's Sons, 2005
Where I got it: Saw it at the library and borrowed it.
Fear can encompass many different things. A person can be scared of spiders, swinging off the rope swing into the lake, or of bullies. They can even be afraid of the fifth grade. Gabriel King is afraid of all of these things, but if his best friend Frita makes it her mission to help "liberate" Gabe and beat his fears. The summer of 1976 will be the summer Gabe becomes brave, and he has Frita to help him—she's not afraid of much of anything. But as the two friends work through Gabe's list of fears, Gabe realizes she is afraid of some things and needs to work on her own list—but it will take an awful lot of courage to confront the things Frita fears the most.
It's good to read a story set after the Civil Rights Movement in the 1960s that deals with racism in the South. There aren't a lot of stories that I've come across in my reading that deal with the post-Jim Crow South, but this late elementary/early middle grade book is one of them. Frita is a black girl living in Georgia, and she has been "integrated" into the white school in Hollowell, where she met Gabe. She is a firecracker, always willing to go on adventures and often having to drag Gabe with her. Despite their remarkable differences from each other, the two are incredibly loyal to each other and the best of friends.
Though most of the book focused on fear and overcoming it, there is a bit of history included within the scant 151 pages of the novel. Readers learn about Jimmy Carter before he became president; I had no idea he was a peanut farmer before he made it to the White House, and I certainly had no idea about his stand against white supremacy. We also take a look at the treatment of African Americans during and after the Civil Rights Movement, though not in great detail.
I also thought it was great that Going did not shy away from using the n-word. It was especially relevant for me to read this right after the whole Mark Twain "let's censor the language because it's offensive to modern readers" thing. The use of that word certainly made an impact on me, not to mention it made the narrative all the more believable. There are some very serious issues that Frita and Gabe have to grapple with, and it forces us as readers to think critically about the situations. And yet, Going still managed to include a good deal of humor and playfulness within the two friends' fear-busting exploits.
There were a few flaws I noticed that detracted from the book for me. Though I thought it was sweet how Gabe didn't really see why Frita's skin color mattered to so many people, I found it difficult to believe that he had never come across racism before, especially having a best friend who would most likely be often on the receiving end of it. He seemed genuinely confused about why white people would treat black people differently, and didn't seem to understand why Frita would be targeted in their community. And his frequent realizations vocalized as "Huh. I'd never thought of it like that" or something similar sounded forced and trite to me—it got irritating.
Though it had its drawbacks, I still liked this story of doing the right thing and gathering courage, even if it means facing your worst fears. The two friends might not have crossed every single thing off their lists, but they certainly learn what it means to be brave.
Thursday, January 20, 2011
Movie review: "The Secret of Kells"
Title: The Secret of Kells
Studio: Cartoon Saloon
Director: Tomm Moore
Co-director: Nora Twomey
Art director: Ross Stewart
*Starred Review*
This will be my first-ever movie review, but The Secret of Kells was just so fantastic that I couldn't pass up telling others about it. Plus, it has to do with books, namely the masterwork the Book of Kells, the world's oldest and mostly complete illuminated manuscript.
The story begins (after whispers of secrets by an unknown narrator and images of escape from a Viking-ravaged place) with 12-year-old Brandon chasing a goose, after its quills for the illuminators (those monks who create books) at the Abbey of Kells. This is around 800 AD, when the Book was created. Soon a story unfolds the likes of which I haven't seen in a good long time. Brother Aiden comes to the island, a celebrated and well-respected illuminator who escaped the Northmen on his island of Iona. Brandon is intrigued by this new character and his book, incredibly curious and eager to learn what he can. He soon becomes something of an apprentice to Brother Aiden, though secretly, as his uncle Cellach, the abbot of Kells, is incredibly strict. He forbids Brandon from going outside the walls of the abbey to protect him from outside dangers, and eventually forbids him from working with Brother Aiden. Brandon's curiosity and desire to please Brother Aiden and help with the Book cause him to disobey and venture into the woods, where he meets Aisling, a mystical creature who claims she owns the forest. But when the Northmen attack Kells, Brandon and Brother Aiden, with the aid of Aisling, know they must protect the Book at all costs.
Where to begin. The animation in this film is absolutely exquisite. Full of detail and vibrant color, the textured drawings are angular at some points and full and curvy at others, giving each character incredible definition and distinctness from his or her surroundings. The illuminations that are being drawn by the characters float and move on their own, giving us viewers the sense that the words and images the illuminators are creating are far more important and powerful than Abbot Cellach believes them to be. The way the animation moves and flows is gentle and striking in its subtlety.
Celtic mythology plays a large part in this movie, as well—monsters and fairies lend to its mystical tone.
The musical score is absolutely brilliant, and I think I'm going to try to get my hands on a copy of it one way or the other (there is no CD on Amazon, just MP3s, but that might have to be it). Both haunting and lively, the Celtic-inspired score complements the action and animation of the film.
The characters are all wonderful. Brandon is a boy who must face his fears and do what's right, despite the fact that his uncle (also in charge of the abbey) tries to force him in an opposite direction. It's clear that Cellach loves Brandon but is not sure how to show it, and thus keeps him locked up in order to keep him safe, not realizing that he is stunting Brandon's growth in the process. Aisling is spritely and quick, with the power to communicate with nature and ask it to do as she wishes—a trait that she uses to help Brandon even at great risk to herself (and her fear of certain places and things). She is truly loyal, and does what she can to help.
And the Northmen are terrifying. Large and hulking, they are not depicted as human. They are stone statues come to life, without faces, killing and burning everything and everyone they attempt to conquer. They're voices are deep and rumbling grunts that go through you and strike fear in their victims, inhuman.
There is too much to say about this movie for this one little review. The raw emotion I felt while watching it surprised me. I can't remember the last time I sobbed while watching a movie, especially an animated film. Other times, I found myself catching my breath and what I was seeing. The beauty, horror and triumph in this story are, for me, indescribable, though I am trying.
And the best part is, this is a movie about the importance of books. The words and images Brandon studies so hard come to life for us, and for the monks. The movie is saying, Don't let us lose these all-important volumes! See to what lengths people have gone, all for the sake of creating and saving books!
As for the audience, I wouldn't show this to very young children, as there are some disturbing scenes, as well as scary ones.
I have been lucky enough to see the Book of Kells with my own eyes, and it is truly something to behold. If you ever find yourself in Dublin, Ireland, make your way over to Trinity Church, where the Book of Kells is permanently on display for the public to see, appreciate and cherish.
Please do yourself a favor and go see this incredible movie. It's an instant play on Netflix. Or just go out and buy it, it's totally worth owning. But see it! It is remarkable, and wholly enchanting.
Sunday, December 19, 2010
Review: "A Season of Gifts" by Richard Peck
For the next week, I'll be reviewing Christmas-related books, and I'm excited to share them with you all! There will be some great gems (in my opinion). Here's the first:
Author: Richard Peck
Publisher: Dial Books for Young Readers, 2009
Where I got it: Found it at my library, hooray!
Grandma Dowdel, who some readers will recognize from A Long Way from Chicago and A Year Down Yonder, makes a comeback in this recent novel from acclaimed novelist Richard Peck. The large, tough, but very big-hearted Mrs. Dowdel is the next door neighbor of the Barnhart family, newly moved from Terre Haute, Indiana to the tiny town in Piatt County. Mr. Barnhart, a Methodist preacher, was assigned the small, broken-down church in the tiny town, and all of them have a rough start adjusting to the change of scenery. And though Mrs. Dowdel is not a church woman or one to neighbor, things sure turn around for the Barnharts throughout the second half of 1958, seemingly by circumstance. The narrative starts in the dog days of August, going through the fall season and the major holidays, and finally ending with Christmas.
Richard Peck has such a lovely way of crafting his stories. It never seems rushed or hurried, even when something exciting is happening. Life meanders along, despite all of the crazy schemes and scenarios that seem to crop up when Mrs. Dowdel is around. There are a few marked differences from the two companion novels, besides being set in the late 1950s instead of the Depression—there is a somewhat disturbing scene near the beginning where Bob is bullied pretty badly, to the point of physical abuse. However, this is a pivotal scene, as it gives Mrs. Dowdel a reason to notice him and provides a background for the rest of the story.
The way Peck concocts schemes is genius. Things happen and the reader isn't sure where they're going, but when they fall into place it's nothing short of brilliant. Mrs. Dowdel manages to do all the right things without seeming like she's doing them on purpose, which takes some obvious skill. What she accomplishes for the Barnharts, and how they react to them, is just wonderful. And to see how some of them get involved is not only unexpected, it never failed to make me smile.
All of the characters are believable and their own people, though 6-year-old Ruth Ann adorably starts to talk and act like her elderly neighbor, using phrases like "hoo-boy" and pushing up imaginary spectacles. Phyllis is your typical angsty teen, and Bob is eager to grow up but knows his responsibilities and limits, for the most part. An interesting difference between this book and its companions is we get to see a parental element—the previous volumes just had children reacting to their grandmother, while here we see adult insight as well as that of a child.
This makes great reading for an older audience as well as for children. There are so many references and scenes where younger readers might not get the full picture right away, but adults will understand what is going on while it's happening or right after it happens. Most things are clearly explained by the end of the chapter for those who missed the clues along the way, though there are a few comments that will go unnoticed and unrecognized by younger readers that adults and older children will probably catch—and the story works just as well even if you don't catch them.
One nitpicky thing I disliked was the epilogue. It was a little too obvious for my taste, and didn't quite go with the rest of the tone of the book. My favorite aspect of Peck's writing is his subtlety, and this lacked it completely. Of course, it ended being a Christmas story and with it came some schmaltz, which I normally like, but I felt like this didn't need any. It's a lovely story all its own, and though it's nice to find out what happened to the Barnharts after they left Piatt County, Peck laid it on a bit thick in the last few sentences.
I really liked this book, and anything with Grandma (or Mrs.) Dowdel is sure to be a good time. She has a mind for scheming and a good heart, always looking to do the right thing and to get a little bit of justice for those who can't get it themselves. Aimed at middle-grade readers, it's a nice, short book to read right before Christmas, or any time of the year really.
Wednesday, September 15, 2010
BBAW: Influenced By Other Bloggers
Hello everyone! I am going to take part in the Book Blogger Appreciation Week prompt today, as it is something that has affected me recently.
Here is the prompt:
Title: Rose Blanche
Author: Roberto Innocenti
Publisher: Creative Editions, 1985
Where I got it: I requested it through my library.
Rose Blache is a young school girl in Germany during World War II. She sees trucks go by, driven by soldiers, but can't figure out what the trucks are transporting. Until she sees something one day that will change her life forever.
Her mother notices that she is growing thinner, even as her appetite seems to grow incredibly large, much too large for one little girl. Where does all that food go? Where does she bring it after she packs it into her school bag?
This is a picture book that is most definitely meant for older children. It is very heavy, as it is about the Holocaust and deals with hunger, war and death. It is completely absorbing and harrowing, yet very subtle in its prose. Much of the story is told through the pictures, which tend to be drab and gray with the exception of the objects we are expected to notice. It reminded me of Schindler's List a little in that regard.
Perhaps one of the most affecting characteristics is the switch from first-person point of view to third-person about halfway through. At this point, the language reminds one of the prose of a fairy tale, though not a happy one. Though it is not a happily-ever-after ending, I found it fitting, though it did make my heart skip a beat.
This is certainly one book to at least take the time to read, if not add to your personal collection. It will stay with you long after you close it and place it down.
Here is the prompt:
Book bloggers can be some of the most influential people around! Today we invite you to share with us a book or genre you tried due to the influence of another blogger. What made you cave in to try something new and what was the experience like?I am on Goodreads, as many of you know, and I follow one wonderful reviewer in particular by the name of Chandra. She reviews mostly picture books and children's books, with the occasional adult novel. One picture book she reviewed about two weeks ago grabbed my attention.
Title: Rose Blanche
Author: Roberto Innocenti
Publisher: Creative Editions, 1985
Where I got it: I requested it through my library.
Rose Blache is a young school girl in Germany during World War II. She sees trucks go by, driven by soldiers, but can't figure out what the trucks are transporting. Until she sees something one day that will change her life forever.
Her mother notices that she is growing thinner, even as her appetite seems to grow incredibly large, much too large for one little girl. Where does all that food go? Where does she bring it after she packs it into her school bag?
This is a picture book that is most definitely meant for older children. It is very heavy, as it is about the Holocaust and deals with hunger, war and death. It is completely absorbing and harrowing, yet very subtle in its prose. Much of the story is told through the pictures, which tend to be drab and gray with the exception of the objects we are expected to notice. It reminded me of Schindler's List a little in that regard.
Perhaps one of the most affecting characteristics is the switch from first-person point of view to third-person about halfway through. At this point, the language reminds one of the prose of a fairy tale, though not a happy one. Though it is not a happily-ever-after ending, I found it fitting, though it did make my heart skip a beat.
This is certainly one book to at least take the time to read, if not add to your personal collection. It will stay with you long after you close it and place it down.
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