Showing posts with label science fiction. Show all posts
Showing posts with label science fiction. Show all posts

Thursday, July 26, 2012

Review: "Unraveling" by Elizabeth Norris

Title: Unraveling
Author: Elizabeth Norris
Publisher: Balzer + Bray, 2012

Janelle knows she died that day the truck hit her. All she remembers is seeing it hurtling toward her, then darkness. Then excruciating pain—and her classmate, Ben Michaels, standing over her. She knows she died, but she knows Ben brought her back.

This is freaky in and of itself, but things are starting to get even stranger in Janelle's life. Her father, an FBI agent, is investigating cases where unidentified bodies are showing up, with the cause of death being extreme radiation burns. They can't figure out where the bodies are coming from, or what caused the burns. In addition to all this, they've found a device with a countdown, though they aren't sure what the device does (is it a bomb? something worse?) and are unable to deactivate it. Janelle and her best friend Alex start their own investigation, eventually joined by Ben and his friends, but they may have gotten in over their heads—the fate of their world might be at stake.

Unraveling is a page-turner, for sure. It is a mystery, an apocalypse story, a love story, an action story all rolled into one. Janelle is an interesting character, and I enjoyed being in her head. She swears a lot, which I found pretty typical for a teenager, and she has a no-nonsense attitude that I liked.

As far as plot goes, when one of the big reveals happened (those who've read the book know which one I'm talking about), I did an eye-roll and thought, Really? But once the initial inner groaning stopped, I got back into the story. I really wanted to know why these strange and supposedly unexplained things were happening. I also loved that Norris made Janelle, her younger brother Jared, and her dad huge X-Files fans, which probably got me more excited about the unexplained stuff. Not that I was ever a huge X-Files fan, but it lent a nice flavor and atmosphere that would have been missing otherwise.

I read Anna's review for this on her blog while I was reading the book, and one thing I couldn't agree more with: I had a hard time believing Janelle's dad would leave his FBI files out everywhere for Janelle to find. It should not be that easy to hack into the federal government's system, even if it is your dad. Or, you know, go into his office and just grab papers and read them. Not likely. I almost wish Janelle had been older and an FBI agent herself; I think it would have been more believable.

Lovers of romance will be happy, too, since Ben turns out to be a romantic interest for Janelle, though *gasp* it's a forbidden romance! To me, this wasn't a huge plot point in the novel since I wasn't that interested in their quickly developed relationship/didn't really care if they ended up together, but I know I'm speaking only for myself. The more important aspect for me was the adventure and mystery of it all.

A couple more things that annoy me. 1) The cover. Janelle is described as olive-skinned, and to me the girl on the cover seems a bit whitewashed for my tastes. Also, I usually hate covers with models. 2) There were some characters that I found to be unnecessarily added in. Not a whole lot of development, not a whole lot of purpose, but in there enough for me to wonder why they were important. There were also a few subplots that didn't really turn into anything and I couldn't help but wonder why they were even included at all, since they were distracting from the real story.

Despite a few weak plot points and issues with suspension of disbelief, Unraveling was enjoyable. Not the greatest sci-fi book I've read in the past year, but fun. If you like high stakes, sci-fi, X-Files-y stuff, and a bit of edginess, this might be worth a read for you. Just beware: it's a bit think, weighing in at 464 pages.

Disclosure: I got this book from the library.

Friday, July 6, 2012

Review: "The Other Side of the Island" by Allegra Goodman

Title: The Other Side of the Island
Author: Allegra Goodman
Publisher: Razorbill, 2008

Honor, born in the eighteenth year of Enclosure, has just moved to Island 365 after living with her parents in the Northern Islands for most of her life. Now that they are under the watchful eye of Earth Mother and her Watchers, they cannot act as freely as they did when they were on their own, before they were found and brought to their new home. They can't sing out loud, they must follow the rules, they must stay away from the ocean, and they cannot own any books at home. They must not be Unpredictable. But the problem for Honor is her family is Unpredictable, and they are very different. Her parents have another child and refuse to give him back to the government, they sneak out at night and don't come back until morning. Honor and her friend Helix find out that bad things happen to people who don't fit. They disappear, and they never come back.

In a literary landscape full of dystopian literature, it's nice to come across a book with a more original premise that doesn't have a fated love story or love triangle. It's a disconcerting vision of the future that makes one uneasy, a world where climate change has destroyed much of the earth, leaving only islands dotted here and there across the oceans. Little details here and there show how much people are aware of nature and the earth, or seem to be aware of it, such as wearing sun hats and applying sunscreen. However, in this world, weather is supposedly controlled by Earth Mother, and Enclosure, which basically means a big dome encloses each island completely. The sky is covered by an overlay with a picture of a perfect sky or a moon with seven stars, depending on time of day.

Earth Mother is something like the Big Brother of George Orwell's 1984, always in control and watching, but never actually seen in the course of the book. More immediate villains are those who uphold Earth Mother's reign, such as Miss Blessing at Honor's school. The way they treat people is chilling, be they adult or child, man or woman. And the orderlies, people whose brains have basically been rewired to do exactly as they are instructed, do all the hard work around the island, all the landscaping, cleaning, cooking, transporting, etc. They sort of reminded me of the Avoxes in the Hunger Games trilogy, unable to speak and basically slaves to those in power.

One of the most important things Earth Mother does to take power from the citizens is taking away their memories, mostly those from their childhood, but more if you are particularly unruly. Think about losing all memories of who your parents are, how you grew up, learning only what you are told in school and not being allowed to question it, or even have the ability to question it if you can't remember otherwise. That was the scariest thing about this future to me.

I was not a big fan of the writing style. Sentences were short and simple for the most part. I didn't really like the terseness, but it didn't really take much away from the book as a whole. My biggest problem was the ending, which seemed to stop too soon, with an author's note that said she did it that way to leave it up to the reader's imagination what the outcome is. I know not all books end in neat little bows, and I don't like it when they do, but stopping mid-action makes me feel like it's something of a cop-out.

All in all, a fresh take on dystopian future that is worth reading in the sea of dystopias out there right now. It's a good read for middle grade readers and strong older elementary readers, and should appeal to boys as well as girls.

Disclosure: I got this book from the library.

Thursday, May 10, 2012

Audiobook Review: "Behemoth" by Scott Westerfeld

Title: Behemoth
Author: Scott Westerfeld
Publisher: Simon & Schuster Audio, 2010 (print version available from Simon Pulse)
Narrator: Alam Cumming

Starting off where Leviathan ended, we're thrown back into the world of Darwinists and Clankers, this time with the added bonus of Ottomans who have sort of combined the aesthetic of the Darwinists with the mechanics of the Clankers. For those of you new to this world, this trilogy takes place in an alternate steampunk past during the Great War, or World War I as we call it today. Darwinists are people from the United Kingdom who use genetic engineering to create animals that work as tools, including entire ships and weapons of war. Clankers are Germans and Austrians, among other peoples, who use advanced mechanics and machines as those tools.

In Behemoth, Deryn (disguised as a boy named Dillon in order to be in an airman in the army) is dealing with her growing feelings for Alec, the prince and heir to the Austria-Hungary throne (she is one of only a handful who knows his true identity). Alec, on the other hand, is treated as a prisoner of war aboard the Leviathan, and he must find a way off the ship if he is to keep his secret and fulfill his destiny. Things get complicated when a new friend joins Alec along the way, and as he and two of his men explore the city of Istanbul and join a band of resistors, Deryn muddles through the city on her own after a successfully completed yet badly ended mission. As they find their way to each other, they soon realize the fate of the Leviathan and the English army's fate lies with them.

There was a lot I loved about this volume in the Leviathan trilogy. The number one thing is probably not going to be as loved by most anyone else, but I'm going to say it anyway. There was a character with my brother's name. You might not think that's totally crazy, but here's the thing: My brother's name is Zaven. You don't see many characters with Armenian names like that unless it's a book about Armenian history. And Zaven in the book is Armenian! I loved that bit.

Anyway, Westerfeld does a fantastic job of continuing his story. There's plenty of action, a little romance, the most confused love triangle I've seen since Twelfth Night, and a new alternate culture to explore. I kept hoping that more secrets would be revealed, just because there are so many that either we as readers are privy to that the rest of the characters are not, and those that are mysteries to us as well as the characters.

Quick note on the audio: I love Alan Cumming. I love him in pretty much everything he does, and I love how he can get accents pretty much spot on. He does a fantastic job with the narration. The only thing he did wrong was mispronounce the Armenian word "Nene," a form of the word grandmother. But other than that, he is everything I love in a narrator. Or maybe that's my bias talking.

I'm looking forward to the final book in the trilogy, Goliath, especially on audio since it is once again narrated by Alan Cumming. I'm interested particularly to see if Westerfeld writes anything about the Armenian genocide, which happened in 1915; Behemoth ends in the year 1914. I'm not sure if the next book will go that far into the future, but I'm eager to see.

Disclosure: I got this audiobook from the library.

Saturday, March 31, 2012

Blog Tour: "Erebos" by Ursula Pozanski

Title: Erebos
Author: Ursula Poznanski
Publisher: Annick Press, 2012 (previously released in Germany)
Translator: Judith Pattinson

Nick can't figure out why his friends are acting so strange lately. People are missing basketball, skipping school, and it all seems to be because of some disc making the rounds. He soon figures out it's a game, and gets the chance to play himself when a girl in his class passes it on to him. But there are rules to this game: you have to play alone, you can't talk about it in the real world to anyone, and if you die in the game, that's it, it's over. Soon Nick is sucked into this world, which feels so real to him that he finds it hard to believe it's just a game. And then it starts to cross into his real life. Strange tasks are assigned to him, and as a reward he gains levels in the game. But how far is he willing to go? What is the purpose of the game? And can it be stopped?

When I started reading Erebos, I was actually very pleasantly surprised. I wasn't expecting such a great thriller; from the description, it sounded a little bit sci-fi and not entirely enthralling for me, but I was very wrong. I felt sucked into the game Erebos myself as Nick began navigating his way through the computer-generated world. I felt breathless many times throughout the story, not believing the lengths some players went to continue the game, to stop themselves from being blacklisted. It was hard for me to stop reading.

One really nice touch in the writing was the switch from past tense to present when Nick was playing as his game alias, Sarius. It brought an immediacy to the text that wasn't there when we were just following Nick during his school days or at home.

It was scary to imagine how something like a computer game can brainwash so many people into bending to its will. When only bits and pieces are given out to each person and they complete tasks not knowing what the consequences will be, it can lead to disaster. The thought of a game knowing so much about each individual to play it is very sobering.

I definitely recommend this book to teens and tweens who like action-packed stories that take place in everyday surroundings. Gamers will appreciate it, as will non-gamers. Luckily, Annick Press has been so kind as to provide a copy for me to give away to one lucky reader! Just leave a comment with a way to contact you (e-mail would be best). By commenting with an entry, you agree to the following:

You must be 13 years or older.
You must live in the US or Canada.
Only one entry per person.

This contest will end at 11:59 EST on April 7, 2012.

Check out the rest of the stops on the Erebos blog tour from earlier this week!


March 25: YA Bookshelf, www.yabookshelf.com
March 26: Bookosaur, www.thebookosaur.com
March 27: GreenBeanTeenQueen, www.greenbeanteenqueen.com
March 28: The Pen Stroke, http://ideogun.wordpress.com
March 29: I Read Banned Books, www.jenbigheart.com
March 30: Between the Covers, www.betweenthecoversblog.net


Disclosure: I got this e-book through NetGalley after being told of it by the publisher in preparation for this blog tour.

Saturday, February 25, 2012

Audiobook Review: "Robopocalypse" by Daniel H. Wilson

Title: Robopocalypse
Author: Daniel H. Wilson
Publisher: Random House Audio, 2011 (print available from Doubleday, 2011)
Narrator: Mike Chamberlain

In the not-so-distant future, robots are everywhere. There are ones that act as servants, smart cars and buildings that can operate on their own, military robots, and hundreds more. They are everywhere, performing millions of functions. When man's quest for knowledge goes too far and a powerful artificial intelligence, known as Archos, is summoned, this is the beginning of the end. Archos takes control of all robots that are online, and humankind is under attack by the things it depends on in everyday life. This is the new war, in which billions will die. But humans aren't going down without a fight.

Told as a framed narrative by Cormac Wallace, who, at the end of the war, finds what he calls the "black box" of the whole robot uprising. It contains the stories of what it calls human heroes, starting from the very beginning and going to the very end. Cormac decides he needs to write these stories he sees played by this surviving robot in order for future generations to know and understand what their ancestors endured, and what was sacrificed.

This book has been getting a lot of praise, including winning an Alex Award (given to exceptional adult books with teen appeal), and it is all deserved. I have been wanting to read this since before its Alex Award, and I'm so glad I finally got around to it. This is a sci-fi book that belongs up there with the classics. Slowly building up to what becomes known as Zero Hour with isolated incidents having to do with what are dismissed as malfunctions, all hell breaks loose when Archos unleashes the full power of robot kind on humans.

I loved how the narrative was constructed. Cormac recounts each person's story either in their own words as he hears them on the recordings, or as he sees them from captured video. It was incredible to see how each person or group affected the rest of the characters or how they helped humanity with their actions. I loved seeing them all come together or connect through the course of the book. Though this book is filled with carnage and unspeakable tragedy, there is an undercurrent of the fierceness of the human spirit and the unbreakable hope that comes with it. It is filled with the deepest pain and love; when it comes down to it, we see what each character is made of.

My only problem with the book as a whole was how each first-person narrative was told in the present tense. I couldn't imagine people recounting these events in the present tense out loud, which is what we are told they are doing. But that's my only problem.

Mike Chamberlain did a decent job at narration. He made voices just different enough that the different speakers could be distinguished from one another, and he did a great job at unrolling the story at the right pace. Nothing stood out too much to me, but he told the story well and never took me out of it unnecessarily. And really, that's all this book needed.

Be warned, this is not a book for those who get queasy easily. There is a LOT of blood and guts. People die in horrible ways, in great numbers. But if you can get past that, I promise this book is worth it. It certainly deserved its Alex Award, as I can easily see teens reading and really enjoying this, and I hope more adults will pick it up too.

Disclosure: I got this audiobook from the library.

Friday, October 21, 2011

Review: "The Monstrumologist" by Rick Yancey

Title: The Monstrumologist
Author: Rick Yancey
Publisher: Simon & Schuster BFYR, 2009

This is what you should be reading this October 31st.

The diary of Will Henry chronicles his apprenticeship with the eminent, albeit known only within certain circles, Dr. Pellinore Warthrop, monstrumologist and scholar. Will's tale begins in 1888, when he is 12 years old. Dr. Warthrop has been told, secretly and in the middle of the night, of a strange and horrific creature found during a grave robbing. This monster, which he quickly identifies as an adult male Anthropophagus, is only one of a pod of the enormous, man-eating predators in the New Jerusalem area. Certain questions arise: Why are they in New England, when their natural habitat is in Africa? Why are they so many? And why have they suddenly emerged from hiding to feast on human flesh once again? Warthrop and Will must find out these answers, but they also must end this infestation before it is too late for the people of New Jerusalem.

There is a blurb on the front of this book from VOYA, which calls this novel "A cross between Mary Shelley and Stephen King." I really can't think of a better description. The horror and gore in here is so intense and ever-present,  yet philosophy is threaded throughout all of this in Will's musings as he writes down his experiences years later. Morality, loyalty, duty, and inheritance are at the heart of the novel, interspersed with the action and horror.

I love that this is a framed narrative. The book begins with a modern-day author who is given the notebooks found in Will Henry's room after his death—the proprietor of the home he was staying is interested in looking for clues within the writing to the identity of the man who called himself Will and claimed to be 131 years old, born in 1876. The first narrator then shows us this first part of Will's diary, and when he is finished with that, tells us about his often fruitless research about finding more information or ways to corroborate the story within Will's notebooks. This hearkens back to Mary Shelley and Frankenstein, for sure, a nice tip of the hat to early horror literature. It also provides us with a mystery and second storyline to follow in the subsequent books of the series.

The setting of the late 1800s makes this book seem much more like the classics we read in school, giving it an authentic taste of the Gothic that used to be so prevalent. The language is sublime and eloquent, yet still accessible for teens today. Not to mention the often breakneck pace of the story.

This is a perfect book to read around Halloween. Scary and creepy, full of suspense, plenty of blood and guts, and exquisite writing. I'll definitely be getting to The Curse of the Wendigo soon!

Disclosure: I won this book in some giveaway I never remembered entering. Seriously, this and the next book in the series just showed up at my house one day with a note telling me I won them but not what  I won them for. Whatever. I'll take it.

Thursday, October 13, 2011

Audiobook Review: "Glow" by Amy Kathleen Ryan

Title: Glow
Author: Amy Kathleen Ryan
Publisher: Macmillan Audio
Narrators: Matthew Brown and Ilyana Kadushin

On the Empyrean, life is routine in deep space. Grow the crops, raise the livestock, and prep yourself for the life you are supposed to lead—repopulating the human race on a new planet, which you'll reach in about 40 years. Waverly and Kieran have known this their whole lives, as they were the first two successful births in deep space. When Kieran proposes, Waverly knows she should be happy to accept, but a part of her is hesitant.

But all this changes in an instant.

The New Horizon, the Empyrean's sister ship, has somehow managed to rendez-vous with them, something that should never have happened. A vicious attack and a traumatic separation force the children, especially Waverly and Kieran, to grow up a lot faster than they have had to thus far. Now, their main concern is survival.

This book was really intense. I listened to the audio version, and I found that I got too stressed out listening to it at night, so I would turn it off and put on Bedtime Magic instead. The situations in Glow were truly awful to think about. True manipulation, sabotage, violence, sinister motives, all of them were in here. And yet, ethics are always at the root of each issue. At what point does a person become an accomplice if they do nothing while watching atrocities? To what extent should someone go to do what they think is right? I was always eager yet afraid to find out where the action was going, and how one character would triumph over another. And that's what it came down to at the end. There was no compromise, only a winner and a loser.

The book is split between Waverly's and Kieran's perspectives, in the third person. Kieran, still on the Empyrean, is caught in a really bad situation. As the captain's protege, he tries to assume control, but finds that not all the boys are willing to let him. What ends up happening is a Lord-of-the-Flies-like breakdown, which was really terrifying to hear about for me.

Waverly, on the other hand, is stuck on the New Horizon, where there are no children. Fertility disappeared among the women on this ship, and that is the reason the girls from the Empyrean are brought aboard. For a woman, listening to how the pastor Anne Mather manipulates her congregation/ship and the girls is downright despicable. That said, she has this humanness that is startling at points—you're not sure when to trust her, if you can at all. She was very complex, and I really liked that.

One problem was with Kieran and Waverly, though more so with the former. I never really connected with Kieran, only because he is pretty dull. Waverly seemed a bit distant to me as well, though I could understand her better since she's a girl. It was really nice to see her stick to her guns, too.

What I didn't like much was the how anti-Christian a lot of the book seemed. I understand what Ryan was trying to do, but I think she missed the mark. She made it seem like all Christians are manipulative and controlling. Some are, sure, but not all, and I personally would have liked to see a positive instance in there.

As for the narrators, Ilyana Kadushin again did a great job. She is just a delight to listen to. Matthew Brown was all right. I wasn't crazy about his voice, but it did the job, and I got to listen to Kadushin for half of the book anyway.

I'm interested to see where this series goes. It wasn't my very favorite, but it certainly got my attention and I enjoyed listening to it.

Disclosure: The publisher sent me a copy of this audiobook in exchange for an honest review. Thank you!

Sunday, June 19, 2011

Audiobook Review: "The True Meaning of Smekday" by Adam Rex

Title: The True Meaning of Smekday
Author: Adam Rex
Publisher: Listening Library, 2011 (print available from Hyperion, 2007)
Narrator: Bahni Turpin

Starting off with a short essay on what she thinks is the "true meaning of Smekday," 12-year-old Gratuity Tucci tells a short story of how she knows the reasoning behind the new holiday—only to be told by her teacher that she needs to elaborate. So she tells a more full version of her story, basically how her mother starts talking about aliens who talk to her through a mole on her neck, how she ends up with a Boov (the aliens previously mentioned) named J. Lo, and their trip in a floating car named Slushious to Florida, the land allotted to humans by the Boov. After that abridged essay is written, she continues a secret, full-length version of how she and J. Lo cross the country to Arizona in Slushious, meet a number of colorful (and often eccentric, to put it mildly) characters, learn about a bigger threat to Earth than the Boov, and attempt to save the world.

This book is so incredibly rich in symbolism it's fantastic. I could not listen to Rex's words without thinking of Native Americans and relocation; it's pretty much impossible to not think of it if you know the history. It's an incredibly smart and often hilarious post-colonial piece of literature, disguised as a science-fiction story about alien invaders. Oh, did I mention all the satire Rex slips in about American culture? It's great.

Don't be scared away by that description though. This is also a fast-paced road trip story, complete with alien weaponry and battles, and lots of humor. Rex is truly a genius when it comes to poking fun at fantasy cliches, my favorite involving a blob of taco sauce. He also incorporates themes of family and friendship incredibly well, without making it hokey or sappy.

As for the audio version, Bahni Turpin is a master. She gives the Boov great voices, to the point where I believed it was J. Lo talking each time she read his dialogue. Everyone had a distinct voice, and her sound effects added so much to it all. This was one of the best performances I've listened to in a while, and I highly recommend it to anyone looking for a good way to pass the time on their commute.

If you're looking for a smart and incredibly entertaining sci-fi novel, look no further. I've become a huge fan of Rex after this beauty of a book.

Disclosure: I got this audiobook from my local library.

Tuesday, May 31, 2011

Review: "When You Reach Me" by Rebecca Stead

Title: When You Reach Me
Author: Rebecca Stead
Publisher: Yearling (Imprint of Random House), 2009

Miranda, sixth-grader and native New Yorker, knows how to live in the city, especially since her mom has been telling her how to be safe for pretty much her whole life. She deals with the older boys who hang out near her apartment building, the crazy man on the corner who kicks at the street and lies with his head under a mailbox, and she knows to keep her key out at least a block before she gets to her door. But her constant companion, her best friend Sal, starts acting really weird; after he gets punched by one of the kids on the street for no reason, he stops talking to her and walking home with her and basically just ignores her. She's not sure why or what she did, or how to get him back.

This is all made way more complicated and frightening when she starts getting the notes. The notes that tell her pieces of the future. And the notes that tell her she needs to help the note-writer before it's too late and a person close to her dies.

When You Reach Me has stayed with me long after I finished the last page. It's a fast read, but it's also one that I will probably revisit again soon. There is a gentleness to Stead's writing, a mystery just out of reach that only comes together when it should. I did guess at things, but I often found myself second-guessing and turning to pages to see if I was right or not.

And let me tell you, that ending is beautiful.

I also need to tell you all that, if you have read and liked (or loved—better if you love it, as I do) A Wrinkle in Time by Madeleine L'Engle, you need to read this book. Miranda loves it to the point where she's read it too many times to count and her copy is falling apart. She calls it her book, and I think any reader knows what she means. It's the book that means the most to her, the one she carries with her always (be it figuratively or literally).

Miranda isn't perfect.. She has a mean streak if the mood strikes, if she's jealous of someone. And she doesn't always make the best decisions. But she is all the more real for it, even if we don't want her to do what she chooses to do.

Oh, and the story takes place during 1978-9, giving it a slightly different feel. It's a New York of a different time, but not so different. There is just a dash of science fiction, but it's nothing that takes you out of the real setting or out of Miranda's day-to-day experiences.

I truly loved this book and wholeheartedly recommend it to those who enjoy books about time travel, friendship, A Wrinkle in Time, and possibly game shows.

Disclosure: I purchased a copy of this book from Barnes & Noble.

Wednesday, April 20, 2011

Review: "Bumped" by Megan McCafferty

Title: Bumped
Author: Megan McCafferty
Publisher: HarperTeen, 2011

Note: This title will not be published until Apri 26, 2011.

Set in a very near future (2035), the world of Bumped by Megan McCafferty is a world where only teenagers can have babies because of a Virus that prohibits anyone over the age of 18 from conceiving. As a result, teenagers are not only needed but enthusiastically encouraged to have lots of sex and babies. In fact, it's common for teens to "go pro," or enter into contractual agreements with older couples who want children. Preteens and young girls buy FunBumps, or fake bellies. Teens have masSEX parties that are basically orgies in hopes that the girls will end up pregnant. Popular songs talk about sperminating etc. And there is a lot of language that we would mostly find gross, but are normal here.

The main plot is told alternately by Melody and Harmony, twin sisters who were separated at birth and recently reunited with each other. Melody grew up in the pregnancy-worshiping world, while Harmony grew up in a very strict and isolated Church community where early marriage and procreation are highly valued. Melody has signed a pregnancy contract and is waiting to be paired with someone to "bump" with (you figure out what that means), while Harmony wishes to convert her newfound sister and save her soul by stopping her from doing this. As might be expected, things don't go according to plan and there are a few major cases of mistaken identity.

A lot of people have been buzzing about Bumped in the blogging world. Most of the reviews I've seen so far are lukewarm at best, but I think McCafferty deserves more credit than she seems to be getting. I think she handles the satire very well. I've read about people being uncomfortable with the glorification of sex and pregnancy, but it's not that far off from what we're experiencing in our own society. Though it might not be with explicit sex, girls are certainly gaining knowledge of sexuality earlier and earlier. If you doubt this, just take a look at this Jezebel post about Kotex's new line of maxipads aimed at 8- to 12-year-olds. No joke.

I also wasn't as grossed out by all the semen and pregnancy puns and phrases thrown around in typical conversation. In fact, the language kept me engaged in the text. I doubt many teens will be too put off by it, either—it's just a part of this world that McCafferty has created. And it's beyond clear that McCafferty is in no way endorsing sex or teen pregnancy. This is a future in which a new way of living is forced upon everyone, but most especially teens and, in particular, teen girls. Yes, it's disgusting, but that's the point.

In any case, this was a short read with a lot to say. However I was not impressed with all of it. I could not believe that this was all taking place in 2035, a mere 24 years into the future. It was easier for me to ignore this detail while reading. I also was not a huge fan with how religion is treated in the book.

Perhaps the biggest question for me is this: How does the LGBTQ community fit into this society? I'm betting teens are not allowed to be in these relationships or to explore these possibilities in their lives. It's briefly touched upon, but only very briefly. I'm pretty sure this will be explored more fully in the sequel(s), but it was something I wondered about while reading.

Bumped is not going to be for everyone, but it's not without merit. I foresee a lot of challenges in this book's future because of its content; I'm sure it will be deemed "inappropriate" by many. But I think it's worth checking out. It will certainly be unlike any of the other futuristic (I blanche only slightly from calling this a dystopia) books popular at this point in time.

Disclosure: I received an e-galley of this via NetGalley.

Sunday, January 2, 2011

Review: "The Ask and the Answer" by Patrick Ness

Title: The Ask and the Answer (Chaos Walking Book Two)
Author: Patrick Ness
Publisher: Candlewick Press, 2009
Where I got it: My library.

**Spoilers for The Knife of Never Letting Go**

After a terribly hangy cliffhanger, Ness continues the story of Todd and Viola on New World, this time as they process their new surroundings and situation in the colony of New Prentisstown, under the direction of Mayor (now President) Prentiss. Kept separate by the new regime, Todd and Viola both narrate their own stories and experiences; Todd as a prisoner and then worker under Mayor Prentiss, and Viola in the healing house under the formidable and strong Mistress Coyle. Things aren't as terrible as they feared at first, but as time goes by they both notice things that aren't humane or right. It doesn't take long before they must choose what side to support, whether they agree with everything going on or not.

This second installment of the Chaos Walking trilogy is no disappointment. Though not as heart-poundingly intense as the first, it is still chock-full of tension and twists that I wasn't expecting. Ness is more subtle in this one, and that's not a bad thing.

Though the plot certainly kept me turning the pages, this is very character-driven as well. We see a lot of development in certain characters, especially Davy Prentiss, that I never would have imagined after reading the first book. There is also a little development in Todd and Viola's relationship, despite the fact that they are separated for most of the book.

The way Ness portrays the Mayor is truly terrifying. An ally, or a foe? He is alternately kind and maniacal, and I was never quite sure which way it would go; I always wanted to believe everything he stood for is evil, but Ness wrote him in such a way as to confuse me enough to wonder. Mistress Coyle is similarly handled. I was never sure if I should trust her motives or not. For those of you who read Mockingjay, I was reminded of Snow and Coin by these characters, respectively. I'm not saying they're the same by the way, I'm just saying that these two characters put me in mind of those two.

It was interesting to hear Viola's point of view in this book. Part of why I loved The Knife of Never Letting Go so much was Todd's voice and the way Ness wrote him and his vernacular. That was lost when Viola narrated, as she is from a more educated background than Todd, and she has no Noise. Todd's stream-of-consciousness style is still beautifully written here, but I missed it when I read Viola's portions. That said, I am glad we get to hear her story as well.

Ultimately this is a story about the cause, effect and practice of warfare. Ness goes into the decisions made during war, and the ethics involved on both sides, yet he is not black and white about it. There is some very philosophical debate within the pages, and it will certainly raise some discussion questions if you read this for a book club or in a class.

And the ending? Be prepared for another massive cliffhanger. I think I'll take my time before reading the third book (which I have taken out of my library already), just to recover a bit from this one, but I fully intend to find out what happens.

Wednesday, October 20, 2010

Review: "The Knife of Never Letting Go" by Patrick Ness

The Knife of Never Letting Go: Chaos Walking: Book OneTitle: The Knife of Never Letting Go
Author: Patrick Ness
Publisher: Candlewick Press, 2008
Where I got it: The library, yo.

*Starred Review*

In an unspecified year in the future on an unspecified planet that is not Earth, there is a virus that broadcasts a man's thoughts to all nearby; this is called Noise. It is in this strange new place where no thoughts are secret that we meet Todd Hewitt— he is almost 13 years old, the time a boy becomes a man according to the laws of Prentisstown, his settlement on New World. But one day he finds a bubble where there is no Noise, but a silence so palpable he can feel it. His discovery leads him to flee Prentisstown and the only life he has known, to he knows not where. And he begins to see that not all he has been told his whole life is the truth—Prentisstown has some deep, dark secrets that could spell the end.

Ness has created a wholly original world with a premise full of promise and potential, both of which he fully meets. The action and suspense starts from nearly the beginning, and it is hard to put down from that moment on. There are always new discoveries and revelations that are waiting to be found—what is the secret history of Prentisstown? Why do Todd's caretakers refuse to tell him what is going on? What are all of these creatures and events that Todd refers to? I was compelled to keep reading so I could find these answers.

The style of the writing is superb. It is written completely in vernacular, though it is Todd's language and not our own. Ness perfectly captures the accents with the spelling of the words, making it easy to hear what Todd and the various other characters sound like. He also often writes in run-on sentences that perfectly capture what Todd's Noise sounds like to those nearby who can hear him, making it seem as if we are listening to his thoughts and Noise instead of reading his memoir. It is completely in the moment, and we are there with him.

Manchee, Todd's dog, is also a wonderful character. On New World, the animals can talk and Manchee is exactly as you would expect a dog to sound. It reminded me of Doug from the movie Up; short sentences, mostly just single words to express what he wants Todd to know. Though Todd is reluctant to accept responsibility for him at the beginning, Manchee is incredibly loyal and becomes much more than just a dog to Todd.

Not only is this a fantastic adventure story, it is a terrifying dystopia with many messages slipped in about war, post-Colonialism, gender roles and ethical decisions. The knife referred to in the title becomes something of a symbol throughout the course of the book, as well as an integral piece of the story. It is the one thing Todd is constantly aware of, the one thing for which he knows the location at all times. This will generate a lot of discussion about all of the above, especially in this, a time when war is constantly on the news. What is right? What can Todd do to counter all the evil that surrounds him?

I highly recommend this to everyone who likes action, science fiction, dystopian fiction, and coming-of-age novels. This is an especially great series for readers who liked The Hunger Games and the other books in that series—many of the same themes and issues are addressed, but in a better story with a better execution, in my opinion.

Tuesday, October 19, 2010

Review: "Feed" by M.T. Anderson

FeedTitle: Feed
Author: M.T. Anderson
Publisher: Candlewick Press, 2002
Where I got it: I listened to the audio version and got it from the library.

Titus lives in a future where everything is connected with and through the feed. The feed is how people chat, buy, browse, research, and select—it is a computer built into the brain, an implant that not only allows you to have what we would cal the Internet in your head, but also TV shows and commercials, suggestions as to what you might like based on past purchases or inquiries, and anything else along those lines. Titus is just another teenager who has grown up with the feed as something normal, and he lives to bask in the corporate-controlled world. But this all changes when he meets Violet, an unconventional girl who has some weird ideas and perspectives on the feed and the world they live in.

You know you've found a great dystopian/science fiction book when it makes you grateful for the life you have. You also know it's even better if it makes you look at our world and get a little panicky. Titus sounds like many teens in today's world, dependent on the feed for everything he is capable of doing. He also recognizes the dangers of leaving the world's fate on the whims of the corporations that control practically everything, yet sees it more as an inevitability than as something to fight against. That hits really close to home; so many people in our world, sometimes myself included, see what goes on as impossible to change or have an effect on.

Anderson creates such a believable world, and such a terrifying one. The people are completely at the mercy of the corporations—even School™ is a corporation, and not government-run (Titus is appalled at the idea of a government-run school, saying it's "completely, like, Nazi"(109)). They all embrace the instant gratification the feed provides; the instant chatting, the instant purchasing, the instant information—and all this is reminiscent of how we're all plugged in to the Internet at all times. Yet Anderson doesn't come off as being anti-progress or anti-Internet; it's just the way it is, and that's what makes it so scary.

There are also an infinite number of environmental problems that lead the reader to the conclusion that the world will soon end. People start to get lesions, which are of course turned into a fashion statement to deflect the attention from what is causing them, and there are no more trees or natural anythings. Forests are completely gone, as is wildlife. Violet says that the earth is dead; there is nothing that mankind hasn't created or planted, nothing straight from the earth. Everything has been destroyed.

The characters were all really well-formed and rounded, even the stock characters. Titus is not a hero by any means—he thinks more than the average teen in his world, but he wants to belong and be normal and so doesn't talk about his thoughts to his friends as he does to us, the readers. He is often a major jerk to Violet, but shows brief glimpses of a deeper character. I was surprised to see his friends showing sides that I wouldn't have expected from them, especially the completely superficial and unoriginal Quendy when she is talking to Titus about Violet—she shows real compassion and insight, kind of giving Titus a swift kick in the butt. All the teens show some bits of intelligence and occasionally a rare bit of individuality, though it gets harder and harder for them to do so as the feed steers them toward the latest trends and hot topics.

Though this comes before the dystopian trend that has been so prevalent in young adult literature as of late, it is an important contribution to the genre. Science fiction at its core, this is also a statement about our world and where we might be headed. It's protagonist is not extraordinary, though he meets an extraordinary girl. His thoughts are mostly wired into the feed and what it wants him to think, with just a little room for independent thought.

Also, just a warning: the language was pretty strong in this, so it might be better-suited to older readers.

Note on the audio version: This was narrated by David Aaron Baker, and he did a great job. His voice for Titus was perfect, and he was able to make most of the characters' voices unique. Unfortunately I didn't really like his voice for Violet, which was softer—I thought of her as having a more sassy kind of voice. But other than that, his acting was superb. I would also recommend this for its ensemble cast in the feed commercials—with added music, they sounded like ads we see and hear every day. This actually made me panic a little, especially when I saw three commercials in a row that sounded straight from Titus's world. I give the audio 4 out of 5 stars.

Thursday, August 26, 2010

"Mockingjay" by Suzanne Collins

Mockingjay (The Final Book of The Hunger Games)Title: Mockingjay
Author: Suzanne Collins
Publisher: Scholastic, 2010
Where I got it: I borrowed a loaner nook from work (we can do that—more perks to being a bookseller) and I downloaded it onto there. So, e-book.

If you've never heard of this series, and haven't heard anything about the anticipation for this book, you don't pay attention to the book industry. This has been one of the most eagerly awaited books of the year, probably right behind Steig Larsson's The Girl Who Kicked the Hornet's Nest. Long story short, everyone who keeps up with YA has read, is reading, or is planning to read this last book in Suzanne Collins' bestselling series.

I promise I will not give out any spoilers without making it completely obvious beforehand, but I do think you might be wondering why I am only giving it three stars.

But first: plot summary. By the way, **POSSIBLE SPOILERS FOR FIRST TWO BOOKS IN SERIES**. Katniss Everdeen, after being taken out of the custody of the Capitol, is taken to District 13, long believed to be obliterated. What she finds is a strictly organized society and rebel movement. Now the face of the cause, Katniss is the one crucial element the rebels and rebel leaders need for their plan in a Capitol takedown. Katniss needs to figure out where she stands, on all counts.

**END OF SPOILERS**

I think part of the reason I didn't particularly care for this one was the buildup and the hype surrounding the entire series. Yes, it is provocative and addictive, violent and slightly philosophical, but I was never really wowed by anything. There was way too much explanation in the beginning; all exposition, barely any showing as opposed to telling. It fell a little flat for my tastes, and despite the constant action I rarely felt energized. I wasn't attached to any of the new characters introduced, and I slowly stopped caring about a lot of the old characters too, which is never good.

I also thought it got way too preachy at the end. There was absolutely no subtlety; everything was spelled out in black and white, kind of like this comic by Kate Beaton. We understand, it's bad to kill children. You don't need to tell us fifty times in a few different ways.


As for the ending, well, I won't say much, but it's lackluster. I felt it climaxed too soon, and Collins was scrambling to tie up loose ends toward the end. I'm satisfied, but feel like it could have been more. Like most of the book, it fell short.

Now after all this criticism, don't think I hated it. No, I liked it well enough; there were certainly points where I couldn't put it down, one of which almost made me late for work today. If there's one thing Collins knows how to do, it's create suspense. She likes to end her chapters on crazy things that happen out of nowhere, forcing you to turn the page in order to find out how the heck they're going to handle each disaster.

I'm sorry to those of you who are offended by my less-than-stellar review, but I just don't think this book is as great as it's made out to be. It's certainly a worthwhile, thought-provoking and discussion-generating read, but it's not the best book I've read this year. Let's just say that if you had to pick one book to read this year, I'd suggest you not pick this one.

What do you think? Was I unfair, or do you agree?

Saturday, August 14, 2010

Vampire Weekend, Part III: "Peeps" by Scott Westerfeld

Here's another review from my vampire project!


Title: Peeps
Author: Scott Westerfeld
Publisher: Razorbill/Penguin Group, 2006
Where I got it: I borrowed it from a friend.

In Scott Westerfeld’s vampire world, vampirism is not some mystical transformation and existence. Vampires aren’t seductive, they can’t control the minds of their victims, and their beauty is quickly outweighed by the repulsiveness that surrounds them. In Peeps, vampirism is caused by a parasite. It turns the infected into insane cannibals who, through some scientific explanation, are repulsed by anything familiar to them (called the anathema) and therefore try to get as far away as possible from the life they led pre-parasite.

The first book follows Cal, a 19-year-old guy who was infected with the virus but is only a carrier—he gets the benefits of the parasite (night vision, super strength, and can eat as much as he wants without gaining a pound) without the anathema and the whole eating-humans thing. Now he works for the Night Watch, an underground government agency that tracks down parasite-positives, or peeps. Unfortunately, Cal has given the parasite to every girl he’s been with (it’s passed on through kissing and intercourse) since he caught it the night he lost his virginity—and because of this, he has to remain completely celibate or create more peeps. But recently there’s been a spike in the amount of peep sightings, and Cal’s not really sure why. Not to mention some strange cats that seem to have the virus, and rumblings from deep within the earth that are not just from the subway…

Vampire folklore is explained quickly by Cal toward the beginning. Peeps can see their reflection, but because of the anathema, they can’t stand to look at themselves (they’ll smash all mirrors and reflective surfaces near them to avoid their own faces); the anathema also explains peeps’ cruciphobia (fear of crucifixes), since back in medieval times church was a major part of everyone’s life; and it’s pretty easy to see where the blood-drinking idea came from.

Westerfeld’s scientific explanation of how vampires are created can be summed up in a word: sick. I mean that in both the original meaning of the word (disgusting) and in the more modern slang (incredibly awesome). He alternates chapters that deal with plot and chapters about different parasites, obviously relishing in delicious details of what makes us sick, and how it relates to Cal’s discoveries. This is a great read not only for vampire fans, but for anyone interested in biology or just a good mystery.

A note on Peeps’ sequel, The Last Days: It’s nice to see the aftermath of what turns out to be an apocalyptic event and to see returning characters, but it’s easy to get bored with the plot (five teens make up a new band) and to get annoyed with the new main characters and their made-up slang. It was a disappointment, to say the least.

Thursday, July 15, 2010

Throwback Thursday: "A Wrinkle in Time" by Madeleine L'Engle

So I recently thought, wouldn't it be great if I used a day to review childhood favorites? I recently reread a bunch of books I loved when I was younger for a class, and I wanted to share my renewed love (or newly discovered disappointment). If you have a favorite from childhood that you want to revisit, please feel free to use this! Just link back to me, please.


For this, my first Throwback Thursday, I'm revisiting: A Wrinkle in Time by Madeleine L'Engle. Originally published in 1962 (not sure exactly by who; I've seen Yearling and Dell listed the most, and I've most often seen it as Laurel-Leaf book).

*Starred Review* (duh)

And yes, that's totally the cover from when I was little. It was the first one I ever saw, and will always be the best in my opinion. I don't know why I love it so much; it's incredibly creepy. Mrs. Whatsit looks terrifying, not to mention the Man with the Red Eyes. Floating in an orb. What's that all about?

ANYWAY.

Here's a brief synopsis for those of you who haven't read it: Meg Murry is an awkward and difficult teenage girl, and Charles Wallace is her precocious, intelligent 5-year-old brother. Along with Calvin O'Keefe, a kid Meg knows from school who gets caught up in the whole affair almost by accident, they go on a remarkable journey through space and universes trying to find and rescue their father, who disappeared the year before. But they soon find out they are battling much more than they originally thought.

I forgot how much I love this book. The entire time I was reading it, I felt like I was at home. Every time the children went to a new planet, met new people, I remembered and went into the safe spot in my head, even when they were in danger. Rereading this book is always a completely different experience from reading anything else. For some reason I get this completely unique feeling that's very hard to explain, but maybe you know what I'm talking about if you have a favorite book that's different from the rest.

I also did NOT remember the Christian messages sprinkled throughout the book. As an adult, I loved it, being a Christian myself, but I honestly don't remember it as being a Christian book. And I don't think L'Engle meant for it to be one, at least not like C.S. Lewis meant for his to be obviously Christian. The references are snuck in here and there, but it's not exclusive. And really, the overall message is about love—love is your greatest gift and protection, and it conquers all.

Some references are a little dated, but that's part of why I love it so much. It's got this completely different tone from stuff published today. I've heard someone suggest updating the language, but this would be a mistake. It would completely change the tone and feel of the language, something I would protect for the rest of my life. And it's not like you would update classic literature from centuries past into modern language.

If you haven't read this yet, you really should. It's completely different from anything else out there. I don't know if those of you who haven't read it would like it as much as those of use who read it as children, but that's up to each reader. I think it's fantastic, and it's gone through nearly 50 years of being in print with 69 printings (!) as a favorite.

What's one of your favorites from when you were little?
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